Through intricate paintings and a cohesive text, this Christian tale becomes fully fleshed out.
A thief finds mercy from Jesus during the crucifixion in this retelling of a Gospel story.
In Arroyo’s picture book, Dismas, an abandoned child, is raised to be a thief. Despite his kind heart, he is instructed by his master that “mercy is a great weakness.” As Dismas grows to adulthood, he becomes a feared bandit, quick to kill. One night, Dismas encounters a group of travelers: a couple with a child, whom the thief recognizes as divine. Dismas spares the family, asking the child to remember him and show him mercy one day. Years pass, and Dismas continues his wicked ways until he is finally caught. As he hangs on a cross next to an innocent preacher, Dismas recognizes the man as the divine child he met long ago. Because of his faith, the thief is forgiven and welcomed into heaven. The tale’s violent content, from Dismas’ master’s killing a kitten to the bandit’s committing his own murders, is handled discreetly in the author’s straightforward text and delicately in Gallegos’ beautiful paintings. But this material makes the work better suited for older independent readers and upper level Sunday school classes. The detailed illustrations nod to European Renaissance art depictions of Bible stories, featuring White, dark-haired characters throughout. Arroyo offers an insightful endnote about the various traditional versions of Dismas’ journey, beginning with the Gospel of Luke but including the writings of St. Augustine and others.
Through intricate paintings and a cohesive text, this Christian tale becomes fully fleshed out.Pub Date: March 9, 2021
ISBN: 978-1-64413-238-8
Page Count: 40
Publisher: Sophia Institute Press
Review Posted Online: April 16, 2021
Review Program: Kirkus Indie
A wondrous, historically grounded Christmas story with vivid images.
This picture book offers a retelling of the Three Wise Men’s journey to visit the newborn Jesus.
Over the Arabian city of Petra, a great star appears in the night sky. The elder Melchior recalls a Jewish prophecy that the star is a harbinger of a great king’s birth. Consulting with his younger peers Balthasar and Casper, Melchior takes this news to Nabatea’s ruler. The king, fearful of insulting the cruel monarch Herod, who apparently has welcomed a new prince, sends the three men to Judea with tributes representing their land’s greatest riches: gold, frankincense, and myrrh. And so the Magi begin their journey to greet Jesus, following the “moving star blazing overhead” and finding the newborn king in a small, sparse home. Arroyo’s book seeks to strip the Magi story of the “fictional embellishments” the tale has gained over time, returning the classic Christmas story to a more biblical, historical Bethlehem. These men are not majestic kings from Persia but theologians and star readers bound by the period’s politics. Le Feyer’s Magi are a triumph of representation, a far cry from the usual bland Nativity scenes, pulling beautiful, accurate features and diverse skin tones from the cultural melting pot of Nabatea and Judea. The illustrator makes heavy use of shadows, but the pictures never seem cold or dark. Light, be it from a candle, a star, or the divine, brightens and inspires with the awe of the season.
A wondrous, historically grounded Christmas story with vivid images.Pub Date: Oct. 11, 2022
ISBN: 9781644136201
Page Count: 40
Publisher: Sophia Institute Press
Review Posted Online: Dec. 5, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Which raises the last question: of a satirical stance in lieu of a perspective.
The comical longings of little girls who want to be big girls—exercising to the chant of "We must—we must—increase our bust!"—and the wistful longing of Margaret, who talks comfortably to God, for a religion, come together as her anxiety to be normal, which is natural enough in sixth grade.
And if that's what we want to tell kids, this is a fresh, unclinical case in point: Mrs. Blume (Iggie's House, 1969) has an easy way with words and some choice ones when the occasion arises. But there's danger in the preoccupation with the physical signs of puberty—with growing into a Playboy centerfold, the goal here, though the one girl in the class who's on her way rues it; and with menstruating sooner rather than later —calming Margaret, her mother says she was a late one, but the happy ending is the first drop of blood: the effect is to confirm common anxieties instead of allaying them. (And countertrends notwithstanding, much is made of that first bra, that first dab of lipstick.) More promising is Margaret's pursuit of religion: to decide for herself (earlier than her 'liberal' parents intended), she goes to temple with a grandmother, to church with a friend; but neither makes any sense to her—"Twelve is very late to learn." Fortunately, after a disillusioning sectarian dispute, she resumes talking to God…to thank him for that telltale sign of womanhood.
Which raises the last question: of a satirical stance in lieu of a perspective.Pub Date: Oct. 1, 1970
ISBN: 978-1-4814-1397-8
Page Count: 157
Publisher: Bradbury
Review Posted Online: Oct. 15, 2011
Kirkus Reviews Issue: Oct. 1, 1970
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
BOOK TO SCREEN
BOOK TO SCREEN
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