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VISIONS OF LIGHT

INSPIRATIONAL POETRY, STUNNING PHOTOGRAPHY

An often intriguing collection that may inspire experimentation by other photographers.

An experimental collection that pairs digitally manipulated photographs with poetry.

Klein, an advertising photographer of long experience, has won several awards for his art photography. After “a mind-expanding illumination, to thoughts of exploding bursts of light” in 1978, he began playing around with the idea of capturing such images on film. The first half of this book, “Experiments,” consists of Klein’s photos, each accompanied by a work written by one of four poets: Toni Partington, Lori Loranger, Zoë Loranger, and Daedra Pfeiffer. The majority of the images are abstract, geometrical compositions featuring overlapping shapes, such as squares, triangles, or circles, which often radiate from a central point. They can be multicolored, usually in saturated primary shades, or different values of the same color. These photos succeed mainly through their rich hues and scintillating compositions, but the few that depict realistic images have a more directly emotional appeal, such as the lovely “Blue Iris.” This close-up of the titular flower’s interior seems magically lit from within, calling to mind an undersea fairy palace. The accompanying poems tend to have much less impact than the images do; sometimes they clash, as when Partington’s “Forsythia Yellow,” which speaks of pretty jewels “wrapped in golden silk,” is paired with a less decorous image of boldly strobing amber globes. In the book’s second half, “Experiments Explained,” Klein provides details on the techniques for creating each image; “Blue Iris,” for example, features two exposures merged with Adobe Photoshop. This section also explains how Klein selected the poems, many of which were written beforehand and later matched to the images.

An often intriguing collection that may inspire experimentation by other photographers.

Pub Date: Nov. 14, 2019

ISBN: 978-1-64376-488-7

Page Count: 144

Publisher: Pageturner, Press and Media

Review Posted Online: Oct. 7, 2020

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THE BACKYARD BIRD CHRONICLES

An ebullient nature lover’s paean to birds.

A charming bird journey with the bestselling author.

In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”

An ebullient nature lover’s paean to birds.

Pub Date: April 23, 2024

ISBN: 9780593536131

Page Count: 320

Publisher: Knopf

Review Posted Online: Jan. 19, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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