A mostly implausible first novel.
Keep the code, scratch da Vinci.
It’s 1291, and in Jerusalem, the Knights of the Templar—long allied to the established church—are taking a pasting from the Saracens. The Grand Master Templar, seeing the handwriting on the wall, summons trusted aides, and places in their care an unassuming little item containing metaphoric dynamite. Flash forward 700-plus years to the Metropolitan Museum of Art. It’s the fancy opening of a special exhibit: Treasures of the Vatican. Crashing the event are four marauders on horseback, wearing iron clothing and masquerading as Knights of the Templar. They gallop up the steps of the Met clearly intent on larceny—of a particular kind, it turns out, when they ignore the sumptuous array of glittering prizes in favor of a gadget described in the catalogue as a “multigeared rotor encoder.” Lovely, feisty Tess Chaykin, an archaeologist, is witness to the curious events. Her interest changes from mild to near-obsessive as she continues to ponder implications: If an encoder is so urgently sought, she reasons, it follows that somewhere there’s a really big-time code in need of breaking. Enter stalwart, semi-hunk FBI counter-terrorism expert Sean Reilly, who is equally struck. And more than a little struck by Tess as well. Now enter the bad guys—chief among them a rogue archaeologist with an unquenchable hate for organized religion, and his opposite number, a Catholic priest with ninja-type moves. The game’s afoot, a humongous mystery needs to be solved, and at the center of it is a certain Jeshua of Nazareth, carpenter, who kept a meticulously detailed personal journal, and who may or may not have been “just a man.”
A mostly implausible first novel.Pub Date: Jan. 19, 2006
ISBN: 0-525-94941-0
Page Count: 400
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2005
Readers craving some nod at redemption may have to be satisfied with rough justice.
A bleak drama of rural America that offers grim lessons but minimal hope.
In a small-town park, Izzy and Junie, two 12-year-old girls, meet a grisly end. Junie’s fading consciousness sheds no light on the murderer’s identity. This is Engel’s second adult novel (after The Roanoke Girls, 2017) to unfold in a meth-ridden, dying town. The setting is somewhere in Missouri, but this could be any American town, in any area left behind by the concentration of wealth and the exodus of youth. In towns like the aptly christened Barren Springs, many young people never make it out, and Junie’s single mother, Eve Taggert, is one of these. The deck is stacked against Eve and her brother, Cal, from birth—in a trailer in a remote “holler” to a drug-addicted mother who starves them, abuses them, but manages to instill in them fierce family loyalty and an implacable eye-for-an-eye mentality. Now in their 30s, Cal and Eve have succeeded up to a point: Each has a small apartment in town; Cal is a cop, and Eve works as a waitress. Thanks to Eve’s efforts, Junie had a modicum of a normal life and a best friend, Izzy, daughter of Zach and Jenny, who by Barren Springs standards are middle class. Through a fog of grief, Eve vows to find the killer and begins tracking the short list of suspects. These include her violent ex-boyfriend, Jimmy Ray, and his meth-cooking sidekick, strip club bartender Matt. An unforeshadowed revelation about Zach halfway through adds nothing to the suspense—instead, we are brought up short, wondering how a first-person narrator like Eve, blunt, plainspoken, and obsessed with the truth, could conceal this glaring fact from herself for half the book. In fact, her unerring instincts will lead to a completely unexpected conclusion. These pages are replete with lessons about the choices women have in such environments—that is to say, none, except to toughen up or give up.
Readers craving some nod at redemption may have to be satisfied with rough justice.Pub Date: March 31, 2020
ISBN: 978-1-5247-4595-0
Page Count: 256
Publisher: Dutton
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Blingy, swingy fun plus a well-crafted, socially conscious suspense plot: Anchors aweigh!
Gal pals invited on a luxury cruise face rigid supervision, surveillance cameras, drugged drinks, and worse at the hands of a controlling, gold-digging birthday beeyotch.
Aspiring Hollywood actress/cocktail waitress Belle is among the gaggle of friends invited on a Mediterranean cruise to celebrate the birthday of their ultraglamorous pal Summer—all expenses paid by her new boyfriend, John (“not a day over sixty-three to her twenty-six”). But as soon as they start the trip on John’s private jet in Los Angeles, the girls learn that his generosity comes with many extremely irritating strings attached. Belle and Summer’s friendship goes back to high school, but Summer’s self-centered, freeloading, man-eating ways have been a problem all along. Now, it seems, the two are barely on speaking terms—yet, for some reason, Belle grits her teeth and gets onboard with a group that includes Summer’s trashy mother, loudmouth sister, Brittani, Brittani’s sexpot bff, Amythest [sic], and a couple of other thought leaders of the professional eye-candy set. The daily schedule on the ship is rigid and boring, and it is enforced by a pair of scary goons who make the girls go to spin class and lock them in their rooms at night. On top of everything else, there’s no Wi-Fi. Talk about a supposedly fun thing they’ll never do again! As Belle eavesdrops on John’s conversations with various dinner guests, she begins to get a sense of just how dirty his money may be. Meanwhile, a series of flashbacks investigate the fate of a dead ex-boyfriend of Summer’s who could not possibly have committed suicide because she dumped him. St. John’s sizzling debut sparkles with yacht and fashion porn, and smart, decent Belle is easy to root for as the panic reaches its peak.
Blingy, swingy fun plus a well-crafted, socially conscious suspense plot: Anchors aweigh!Pub Date: May 19, 2020
ISBN: 978-1-5387-3363-9
Page Count: 368
Publisher: Grand Central Publishing
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
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