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THE GIRL WHO SAID HELLO TO EVERYONE

An earnest but unevenly executed book about friendliness and optimism.

Exelbierd offers a picture book that extols the merits of greeting every person you meet.

Young Rayna Rose’s father, whom she calls “Daddyo,” teaches her to greet everyone she encounters, whether they’re old friends or new acquaintances. She says hello to neighbors, cashiers, and others, asking them questions such as “Why were you named your name?” or helping them with tasks. When she’s an adult living in Delray, Florida, she continues this practice and makes new friends. Later, when her father dies, she returns home to Tennessee; there, a mail carrier compliments her father, which cheers her up: “Rayna learned even when we are sad, conversations with others make us feel not so bad!” Exelbierd presents a deeply felt homage to her late father in this story. However, it features elements that may confuse younger readers, including a tendency to skip large blocks of time and undefined references to grown-up destinations, such as a “spin gym” and to a “neighborhood worker,” whose job is unclear. The work is enlivened by Fraser’s charming, engaging full-color cartoon illustrations, which depict cute characters with U-shaped smiles and rosy cheeks. The vibrant colors pop, and sketched linework softens the impact. Rayna Rose and Daddyo are depicted as pale-skinned, while other characters show a range of skin tones.

An earnest but unevenly executed book about friendliness and optimism.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Nov. 13, 2024

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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