A fresh take on horror-genre conventions that will bring readers back for sequels.
In Beebe’s debut series-starter, a Utah woman’s cancer cure involves a centuries-old vampire.
Rachel Burns resigns herself to her fate when she finds out that her bone cancer isn’t responding to chemotherapy. However, Carrie, her best friend and co-worker at Costa Investments, suggests that she seek help from the company’s mysterious owner, Sylvio Costa. During their first one-on-one meeting, Sylvio admits that he’s a vampire and maps out his plan to save Rachel’s life. She would have to live in one of his three houses, along with other humans who willingly provide him with blood. For a period of five to 15 years, he’ll exchange blood with her, curing her cancer, but then wean her off so that she doesn’t turn into a vampire. However, her mind would be “captive” to him—she’d be compelled to follow his commands ever after. Still, Rachel goes through with the procedure, but it turns out that she is a powerful empath who’s less susceptible to Sylvio’s powers. She also learns a bit about her own mysterious background; her birth mother, whom she knows nothing about, died when she was born. She also finds out about the existence of other supernatural beings, including witches and werewolves. However, Sylvio and the people he’s helping are soon endangered by entities looking to steal their powers. Beebe’s novel offers an unusual variation on traditional tales of mythical creatures and black magic. Sylvio, for example, claims he’s controlling a literal inner demon without actual succumbing to evil (as he only kills evil people); this choice, he says, allows him to walk in daylight, which other vampires can’t do. The author slyly hints at the origin of Rachel’s powers, which entail “unseen beings” that warn her of danger. The novel, despite its relative brevity (fewer than 200 pages), offers abundant worldbuilding details, aptly setting up material for future volumes. Even so, a few characters feel underdeveloped. For example, readers may have trouble sympathizing with two victims in a later scene; despite making earlier appearances, they only receive names moments before they die.
A fresh take on horror-genre conventions that will bring readers back for sequels.Pub Date: Aug. 16, 2016
ISBN: 978-1-984053-92-3
Page Count: 188
Publisher: CreateSpace
Review Posted Online: April 10, 2019
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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