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PERMIT ME TO WRITE MY OWN ENDING

An intense and unforgettable compilation of poetry.

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Faulkner’s debut collection of poems explores the underbelly of humanity.

The author boldly confronts the ugly, dark aspects of life and death in this powerful set of poems; she recounts a tragic accident and contemplates the aftereffects of war, among other grim topics. In “King’s Head,” a speaker recalls “gum hardened” desks, a phone cord in “Twelve” “stretched under my door umbilical tight,” and, in “Sixteen,” she describes being groped outside of a club. The innocence of a “jump-rope slap” in “Rope” and double Dutch chants of youth give way to “Operation Virginity” and gruff sex with a soldier. “Viable” describes a miscarriage, after which the speaker seeks solace on a lake bed in “Small Bodies of Water.” In “Fireweed,” the speaker yearns to tell an absent man about his son, “but there is no more room inside your busted skull for us.” She describes the ease of deceiving a doctor in “Transference” and the awkwardness of crossing paths with a therapist in the grocery store in “Shrink.” Faulkner also imagines the mindset of German political activist Sophie Scholl during her execution by the Nazi government in 1943and pens a tribute to Mrs Dalloway author Virginia Woolf’s traumatized World War I soldier Septimus Smith. The author is masterful at evoking the tough, gritty nature of her speakers’ surroundings, describing the way “the shoreline keens & punches,” the “gin-sodden drizzle” of Southend, and the “burnt chalk taste of trams” in East Berlin. Her work addresses the experience of being female in a hostile world: In “Sixteen,” the speaker recalls walking home, “brass keys clasped between shaking fingers.” Her “hunger / for things that are just out of reach” is palpable and relatable. That said, some readers might feel unmoored by the nonchronological order of the text.

An intense and unforgettable compilation of poetry.

Pub Date: March 23, 2023

ISBN: N/A

Page Count: 63

Publisher: Write Bloody

Review Posted Online: March 3, 2023

Kirkus Reviews Issue: May 1, 2023

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DEMON COPPERHEAD

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

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Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.

It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

Pub Date: Oct. 18, 2022

ISBN: 978-0-06-325-1922

Page Count: 560

Publisher: Harper/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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