Entertaining reassurance and lighthearted encouragement for those tough first moments of putting pencil to paper.
A student finds the way out of the clouds of writer’s block.
“Teacher says it’s time to write,” muses the brown-haired, light-skinned protagonist. Other students seem to be finding their way. One child has several crossed-out words; two more have begun stories. But “I peek outside— / it’s gloomy, gray. / Cloudy. / Like my brain today.” Thinking produces nothing at first; the pencil sits unused, the child’s head slumped into a folded arm. But then, “KER-PLINK! / I feel a drop. / One tiny thought.” Words, images, and phrases begin to fall like raindrops, and the illustrations gain color and energy as inspiration grows. The young writer dances, kicking up legs clad in striped tights and yellow boots as possibilities swirl around. The pages grow dark as in a big storm: “Huge ideas flowing fast!” And finally, after some joyful splashing in puddles of words, the sun appears, and a rainbow arches over a “flood of possibility.” The metaphor nicely captures the creative process—from the frustration of waiting for inspiration to the anticipation of something gathering in the distance to the sought-after deluge of ideas. A page of writing prompts and a glossary of writing terms follow. Pair this with Andrew Larson’s A Squiggly Story (2016), illustrated by Mike Lowery, or Peter H. Reynolds’ The Word Collector (2018) to stoke creative fires. (This book was reviewed digitally.)
Entertaining reassurance and lighthearted encouragement for those tough first moments of putting pencil to paper. (Picture book. 6-8)Pub Date: July 15, 2022
ISBN: 978-1-53411-148-6
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated...
The master of the manic patterned tale offers a newly buffed version of his first published book, with appropriately gloppy new illustrations.
Like the previous four iterations (orig. 1979; revised 2004, 2006, 2009), the plot remains intact through minor changes in wording: Each time young Jule Ann ventures outside in clean clothes, a nefarious mud puddle leaps out of a tree or off the roof to get her “completely all over muddy” and necessitate a vigorous parental scrubbing. Petricic gives the amorphous mud monster a particularly tarry look and texture in his scribbly, high-energy cartoon scenes. It's a formidable opponent, but the two bars of smelly soap that the resourceful child at last chucks at her attacker splatter it over the page and send it sputtering into permanent retreat.
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated sound effects. (Picture book. 6-8)Pub Date: Sept. 1, 2012
ISBN: 978-1-55451-427-4
Page Count: 32
Publisher: Annick Press
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names...
A lad finds a big red dragon in his basement and wisely seeks expert advice about its care and feeding in this epistolary episode.
Young Alexander’s missives (there are no cellphones, nor parents, in sight) are mostly paraphrased rather than shown, but each response comes as a small note folded into a pocket that’s been printed and shaped like an envelope: “Douse it in water right away!” writes panic-stricken fire chief H.Y. Drant; find it a large house or castle, advises B. East of World Animal Welfare; “fatten it up,” suggests Angus Teak the butcher (“Look forward to [eating, scratched out] meeting your dragon”) with sinister relish. Boy and dragon have wonderful times together, but the ultimate realization that dragons really don’t make good pets leads the narrator to follow the written advice of best friend Hillary (“the wisest person I knew”) and set it free. The later arrival of a slightly burned picture postcard in the “post” reassures him that the dragon won’t be forgetting to keep in touch. The human figures in Yarlett’s cartoon illustrations are either white or have their heads cut off at the page top. With the exception of the pasted-on postcard from the dragon at the end, all of the correspondence is removable and thereby losable.
Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names add some appeal. (Novelty. 6-8)Pub Date: Dec. 1, 2018
ISBN: 978-1-61067-818-6
Page Count: 32
Publisher: Kane Miller
Review Posted Online: Aug. 26, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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