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SHOE ZOO

Name: SHOE ZOO
Author: Rebecca Jelbert

From the Tales by Torchlight series

by Rebecca Jelbert & illustrated by Rebecca Jelbert & developed by Jellywalk ‧ RELEASE DATE: June 26, 2012

The multilayered illustrations cleverly capture a child imaginatively transforming herself, but it’s impossible to read this...

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An artistically inventive tale, rendered clunky and frustrating by interactive features of, at best, amateur quality.

Following an introductory frame story, Evangelina, a young artist who spins nighttime tales for her toys, describes how she and her mother pay a visit to a real zoo after old boots and other clothing inspires her to fancy herself as various animals. The zoo animals are photographed; the imagined ones are childlike drawings superimposed over more finished paintings of Evangelina’s face or other images. Selected screens have single, simple touch-activated changes of color or figure position, primitively signaled by printed instructions in the margin that locate the one area that will respond to a tap. Like a paper flip book, these changes are accomplished with short sequences of nearly identical separate images which, though they shift invisibly the first time through, must be manually scrolled back one screen at a time to replay the effect or, for that matter, even to page ahead. The story downloads into iBooks, and tapping any figure that is not touch-sensitive invariably activates the reader’s menu bar, highlighting and search functions—all of which, except for the “index” icon, are irrelevant distractions.

The multilayered illustrations cleverly capture a child imaginatively transforming herself, but it’s impossible to read this through without annoying stops and interruptions, and readers accustomed to the flexibility and razzmatazz of the better apps will be disappointed. (iPad enhanced e-book. 6-8)

Pub Date: June 26, 2012

ISBN: N/A

Page Count: -

Publisher: Jellywalk

Review Posted Online: Aug. 7, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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HENRY AND MUDGE AND THE STARRY NIGHT

From the Henry and Mudge series

by Cynthia Rylant & illustrated by Sucie Stevenson ‧ RELEASE DATE: April 1, 1998

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Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)

Pub Date: April 1, 1998

ISBN: 0-689-81175-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

Categories:

CHILDREN'S ANIMALS

- BOOK REVIEW
A BOOK OF LOVES
by Cynthia Rylant ; illustrated by Cynthia Rylant

- BOOK REVIEW
HORNBEAM BY AND LARGE
by Cynthia Rylant ; illustrated by Arthur Howard

- BOOK REVIEW
HORNBEAM GETS IT DONE
by Cynthia Rylant ; illustrated by Arthur Howard

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BIG CHICKENS

by Leslie Helakoski & illustrated by Henry Cole ‧ RELEASE DATE: Feb. 1, 2006

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With wordplay reminiscent of Margie Palatini at her best, Helakoski takes four timorous chickens into, then out of, the literal and figurative woods. Fleeing the henhouse after catching sight of a wolf, the pusillanimous pullets come to a deep ditch: “ ‘What if we can’t jump that far?’ ‘What if we fall in the ditch?’ ‘What if we get sucked into the mud?’ The chickens tutted, putted, and flutted. They butted into themselves and each other, until one by one . . . ” they do fall in. But then they pick themselves up and struggle out. Ensuing encounters with cows and a lake furnish similar responses and outcomes; ultimately they tumble into the wolf’s very cave, where they “picked, pecked, and pocked. They ruffled, puffled, and shuffled. They shrieked, squeaked, and freaked, until . . . ” their nemesis scampers away in panic. Fluttering about in pop-eyed terror, the portly, partly clothed hens make comical figures in Cole’s sunny cartoons (as does the flummoxed wolf)—but the genuine triumph in their final strut—“ ‘I am a big, brave chicken,’ said one chicken. ‘Ohh . . . ’ said the others. ‘Me too.’ ‘Me three.’ ‘Me four’ ”—brings this tribute to chicken power to a rousing close. (Picture book. 6-8)