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SARAH SIMPSON’S RULES FOR LIVING

Twelve-year-old Sarah Simpson joins a long list of modern-day tweens buried under negative feelings about their parents’ recent divorce, feeling jilted by a father who has moved across the country with his new young wife. Encouraged to keep a journal, Sarah’s immediate self-description—“I have orange hair and I am fat”—introduces her poor self-image and feelings of rejection as she tries to follow her own “Rules,” which include drinking skim milk and avoiding blondes. Sarah’s unhappiness is displayed through her deadpan, stilted account of life creating numerous lists of cynical and gloomy statements. Themes of inner vs. outer beauty are paralleled with Sarah’s mother’s easy acceptance of her broken marriage remedied by her new and happy relationship with relaxed, environmentally conscious and slightly overweight Jonah. Minor characters include five-year-old George (Jonah’s son) and geeky classmate Horace Zimmerman, who bring balance to Sarah’s self-centered feelings of betrayal by both parents. Despite the short, unadorned, flat writing style, Rupp manages to develop her themes and character with enough emotional integrity to underscore the overall message that personal attitude can ultimately control the way we accept inevitable change in our lives. A quick read in the over-used diary-style middle-grade fiction with expanded potential for a series or even family discussion. (Fiction. 9-12)

Pub Date: Feb. 1, 2008

ISBN: 978-0-7636-3220-5

Page Count: 96

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2008

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LUNCH MONEY

Budding billionaire Greg Kenton has a knack for making money and a serious rival. When he issues his first Chunky Comic Book at the beginning of sixth grade, his neighbor and classmate Maura Shaw produces an alternative. Their quarrel draws the attention of the principal, who bans comics from the school. But when they notice all the other commercial messages in their school, they take their cause to the local school committee. Without belaboring his point, Clements takes on product placement in schools and the need for wealth. “Most people can only use one bathroom at a time,” says Greg’s math teacher, Mr. Z. Greg gets the message; middle-grade readers may ignore it in favor of the delightful spectacle of Greg’s ultimate economic success, a pleasing result for the effort this up-and-coming young businessman puts into his work. Clements weaves intriguing information about comic book illustration into this entertaining, smoothly written story. Selznick’s accompanying black-and-white drawings have the appearance of sketches Greg might have made himself. This hits the jackpot. (Fiction. 9-12)

Pub Date: July 1, 2005

ISBN: 0-689-86683-6

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2005

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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