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NOT EVEN BONES

From the Market of Monsters series , Vol. 1

A slasher flick spliced with Crime and Punishment, this engrossing debut novel asks complex philosophical questions in a...

An adolescent, yet Nietzschean, examination of humanity and horror.

Nita is a monster. Literally. She can heal her own wounds and even block her pain receptors. But she and her mother also deal in monsters, species regulated by the International Non-Human Police, selling their body parts on the black market. Her ghoulish mother hunts and kills, while Nita dissects them with a meditative grace, trying to think of herself as innocent. But when Nita’s conscience inconveniently prevents her from vivisecting a live specimen, she’s kidnapped and taken to the Amazon, caged by people in the same business. Menaced by a zannie (creatures that feed off physical pain) and a ruthless woman, Nita, who is mixed species (with a brown-skinned human father and a nonhuman mother), has to figure out how to escape and whether she has any morals to live by. The vivid setting, Mercado de la Muerte (one of several Death Markets worldwide) in a sweltering South American jungle populated by buyers, sellers, and sold, is matched by a zipping plot interspersed with deliciously horrifying and gory scenes of dismemberment and destruction. Equally intriguing is the constant musing on what makes a monster, how people respond to trauma and control, and how one’s choices affirm or deny one’s own humanity.

A slasher flick spliced with Crime and Punishment, this engrossing debut novel asks complex philosophical questions in a pleasingly hard-to-stomach way. (Fantasy. 15-adult)

Pub Date: Sept. 4, 2018

ISBN: 978-1-328-86354-6

Page Count: 368

Publisher: HMH Books

Review Posted Online: June 17, 2018

Kirkus Reviews Issue: July 1, 2018

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REDEMPTION PREP

Only marginally intriguing.

In a remote part of Utah, in a “temple of excellence,” the best of the best are recruited to nurture their talents.

Redemption Preparatory is a cross between the Vatican and a top-secret research facility: The school is rooted in Christian ideology (but very few students are Christian), Mass is compulsory, cameras capture everything, and “maintenance” workers carry Tasers. When talented poet Emma disappears, three students, distrusting of the school administration, launch their own investigation. Brilliant chemist Neesha believes Emma has run away to avoid taking the heat for the duo’s illegal drug enterprise. Her boyfriend, an athlete called Aiden, naturally wants to find her. Evan, a chess prodigy who relies on patterns and has difficulty processing social signals, believes he knows Emma better than anyone. While the school is an insidious character on its own and the big reveal is slightly psychologically disturbing, Evan’s positioning as a tragic hero with an uncertain fate—which is connected to his stalking of Emma (even before her disappearance)—is far more unsettling. The ’90s setting provides the backdrop for tongue-in-cheek technological references but doesn’t do anything for the plot. Student testimonials and voice-to-text transcripts punctuate the three-way third-person narration that alternates among Neesha, Evan, and Aiden. Emma, Aiden, and Evan are assumed to be white; Neesha is Indian. Students are from all over the world, including Asia and the Middle East.

Only marginally intriguing. (Mystery. 15-18)

Pub Date: April 14, 2020

ISBN: 978-0-06-266203-3

Page Count: 416

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: Jan. 18, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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IF WE SURVIVE THE NIGHT

From the Dead Weight series , Vol. 1

Gruesomely violent with a disheartening take on the future.

A troubled teen in a zombie-infested landscape finds energy and purpose in killing.

Sixteen-year-old Quinn Wallace, surrendered by her adoptive parents at age 6 after just four years with them, is marking the time until she turns 18 and can leave the Pegasus Center, a residential treatment facility in Peoria, Illinois. She cynically chases the compliance points given for good behavior. Manipulative and in love with control, Quinn, who has ADHD (and, possibly, antisocial personality disorder), experiences “emotions differently than most people” and has had to learn to interpret others’ emotions; she gleans information about her fellow residents by secretly reading their charts. Reports of riots in Chicago feel remote until one day the chaos reaches their locked ward: A custodian reanimates following a violent death—she’s a carrier, someone infected with a “new and terrifying virus.” Quinn, 17-year-old Keisha, and a ragtag band from Pegasus flee the facility and head south. People underestimate petite, blond, pale-skinned, and sweet-faced Quinn, who’s protective of her Black-presenting crush, Keisha, who taught her how to turn on the charm and play people. First-person narrator Quinn feels “the warmth of excitement” when she kills. Many of her victims are one-note secondary characters whom she views as disposable. Salazar’s series opener, which was originally self-published in 2024 as The Dead Weight, explores mental health issues and neurodivergence in ways that unfortunately feel one-dimensional and offers little redemption for its protagonist.

Gruesomely violent with a disheartening take on the future. (Horror. 15-18)

Pub Date: Aug. 25, 2026

ISBN: 9781464299292

Page Count: 352

Publisher: Sourcebooks Fire

Review Posted Online: June 1, 2026

Kirkus Reviews Issue: July 1, 2026

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