edited by Rebecca Shannonhouse ‧ RELEASE DATE: Feb. 1, 2000
A well-chosen collection of some of the finest women’s writing, both fiction and nonfiction, on madness, reflecting the horrifying ways over the years that the condition has been defined and treated. The anthology, with an informative introduction by freelance writer Shannonhouse, runs the gamut from The Book of Margery Kempe (1436) to Allie Light (1999). The intervening 19 pieces—essays, letters, excerpts from fiction’share a common, if dispiriting, thread. Whether the diagnosis is chemical in origin, a current favorite, or anatomical—women’s sexual organs were once blamed for what was called hysteria—treatment has been obtuse and often cruel. Very few seem to have understood, or even listened to, the symptoms or the painful experiences these women were relating. Margery Kempe went “out of her mind” after her child was born, had to be forcibly restrained, but regained her sanity through religious beliefs, becoming a noted mystic. 19th-century social worker Dorothy Dix observed women in New England that were not so fortunate. Some were kept in cages, others whipped, and those thought to be sufficiently docile were auctioned off at an annual sale in which local citizens were paid to house them. As excerpts from Sylvia Plath’s The Bell Jar, Mary-Jane Ward’s The Snakepit, and Light’s —Thorazine Shuffle— show, doctors, nurses, and therapists seem hardly more enlightened: Patients could not refuse medication even if it made them feel terrible, and, as part of her therapy, Light had to walk with a book on her head to improve her posture. Particularly affecting are Charlotte Perkins Gilman’s —The Yellow Wallpaper——both an anatomy of disorder and a portrait of a suffocating marriage—and —Searching for Mercy Street,— Linda Gray Sexton’s painful reminiscences of her poet mother’s breakdowns. Not a day-brightener, but a stirring anthology of the best and most searing writings that brightly illuminate the dark side of so many women’s lives.
Pub Date: Feb. 1, 2000
ISBN: 0-679-60330-1
Page Count: 224
Publisher: Modern Library
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1999
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edited by Rebecca Shannonhouse
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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