An entertainingly zany collection of sketches poking fun at the foibles of contemporary life at every age.
Two comic writers join forces in this collection of satirical scenarios and verses.
Dynamic duo Shaw and Kronengold met at Yale in 2014. Since then, they’ve become a sensation as the youngest-ever writers for the Tonight Show Starring Jimmy Fallon. Their debut volume assembles an array of pieces separated into the stages of human life, from childhood through college and adulthood. An immediate standout is the opening story, “We Have Your Son,” in which a youth kidnapping-and-ransom operation is hilariously hijacked by indifferent parents (“Keep him!”). Throughout, it’s clear that the authors consistently let their imaginations run wild. Some pieces are effervescently silly (“Dr. Seuss Teaches Safe Sex”); some are freeform and whimsical; others are more creatively inspired glimpses into unwieldy fantasies and modern dilemmas of postgraduate life. The authors are particularly successful in their portrayal of adolescence, from melodramatic dispatches from summer camp and a horror satire featuring a courageous girl who finds herself in Hell, which she recognized “because it was very hot and ‘Moves Like Jagger’ was playing on a loop.” Some of the collection’s more personal pieces are also the most engaging and memorable, including “College Stories Fact Check,” in which the authors share amusing memories from their time together as Yale students; others include a transcript of text conversations with their drug dealer and an assessment of their shared experience in Hollywood as “skilled practitioners of asskissery.” The text contains more than 30 stories, perhaps best read over numerous sittings. In any such book, a few pieces fall flat, but each one contains at least some flashes of comic brilliance, making it clear this is a hyper-creative pair with immense potential. Saturated with creative energy and a healthy funny bone, these stories are comedy gold.
An entertainingly zany collection of sketches poking fun at the foibles of contemporary life at every age.Pub Date: Nov. 14, 2023
ISBN: 9780063215788
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: Oct. 13, 2023
Kirkus Reviews Issue: Nov. 15, 2023
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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