Next book

NAKED IN THE RIDESHARE

STORIES OF GROSS MISCALCULATIONS

An entertainingly zany collection of sketches poking fun at the foibles of contemporary life at every age.

Two comic writers join forces in this collection of satirical scenarios and verses.

Dynamic duo Shaw and Kronengold met at Yale in 2014. Since then, they’ve become a sensation as the youngest-ever writers for the Tonight Show Starring Jimmy Fallon. Their debut volume assembles an array of pieces separated into the stages of human life, from childhood through college and adulthood. An immediate standout is the opening story, “We Have Your Son,” in which a youth kidnapping-and-ransom operation is hilariously hijacked by indifferent parents (“Keep him!”). Throughout, it’s clear that the authors consistently let their imaginations run wild. Some pieces are effervescently silly (“Dr. Seuss Teaches Safe Sex”); some are freeform and whimsical; others are more creatively inspired glimpses into unwieldy fantasies and modern dilemmas of postgraduate life. The authors are particularly successful in their portrayal of adolescence, from melodramatic dispatches from summer camp and a horror satire featuring a courageous girl who finds herself in Hell, which she recognized “because it was very hot and ‘Moves Like Jagger’ was playing on a loop.” Some of the collection’s more personal pieces are also the most engaging and memorable, including “College Stories Fact Check,” in which the authors share amusing memories from their time together as Yale students; others include a transcript of text conversations with their drug dealer and an assessment of their shared experience in Hollywood as “skilled practitioners of asskissery.” The text contains more than 30 stories, perhaps best read over numerous sittings. In any such book, a few pieces fall flat, but each one contains at least some flashes of comic brilliance, making it clear this is a hyper-creative pair with immense potential. Saturated with creative energy and a healthy funny bone, these stories are comedy gold.

An entertainingly zany collection of sketches poking fun at the foibles of contemporary life at every age.

Pub Date: Nov. 14, 2023

ISBN: 9780063215788

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 13, 2023

Kirkus Reviews Issue: Nov. 15, 2023

Awards & Accolades

Likes

  • Readers Vote
  • 168


Our Verdict

  • Our Verdict
  • GET IT


  • IndieBound Bestseller

Next book

A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Awards & Accolades

Likes

  • Readers Vote
  • 168


Our Verdict

  • Our Verdict
  • GET IT


  • IndieBound Bestseller

The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 119


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 119


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Close Quickview