A story with a serious claim to universality again proves that it can bear a carriage full of messages.
by Rebecca Solnit ; illustrated by Arthur Rackham ‧ RELEASE DATE: May 7, 2019
With a little help from her fairy godmother, Cinderella takes care of business while learning how to be her “best and freest” self.
With the avowed intention of creating a “kinder” vision of the familiar tale that also gets away from the invidious notion that marrying (preferably marrying up) is the main chance in life for women, Solnit (Call Them by Their True Names, 2018, Kirkus Prize winner in nonfiction) offers younger readers this revisionist Cinderella. She arrives at the ball attended by transformed “footwomen,” befriends Prince Nevermind (who really just wants to be a farmer), and, while her stepsisters take up careers in fashion, goes on to open a cake shop where she harbors refugee children. The author’s efforts to get away from sexist tropes and language aren’t entirely successful (one stepsister becomes a “seamstress,” for instance), and an analytical afterword in cramped type that rivals the tale itself for length further weighs down the wordy, lecture-laden narrative. Still, readers ready to question the assumptions innate in most variants, European ones in particular, will find this one refreshing. The carefully selected Rackham silhouettes, first published a century ago, invest “Ella” with proactive spirit while (as the author notes) sidestepping racial determinations (in skin color at least, if not hair texture).
A story with a serious claim to universality again proves that it can bear a carriage full of messages. (lengthy source note) (Folktale. 8-10)Pub Date: May 7, 2019
ISBN: 978-1-60846-596-5
Page Count: 32
Publisher: Haymarket Books
Review Posted Online: May 11, 2019
Categories: CHILDREN'S SOCIAL THEMES
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by Rebecca Bond ; illustrated by Rebecca Bond ‧ RELEASE DATE: July 7, 2015
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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by Renée Watson ; illustrated by Niña Mata ‧ RELEASE DATE: April 28, 2020
Ryan Hart is navigating the fourth grade and all its challenges with determination.
Her mom named her Ryan because it means “king,” and she wanted Ryan to feel powerful every time she heard her name; Ryan knows it means she is a leader. So when changes occur or disaster strikes, budding chef Ryan does her best to find the positive and “make sunshine.” When her dad is laid off from the post office, the family must make adjustments that include moving into a smaller house, selling their car, and changing how they shop for groceries. But Ryan gets to stay at Vernon Elementary, and her mom still finds a way to get her the ingredients she needs to practice new recipes. Her older brother, Ray, can be bossy, but he finds little ways to support her, especially when she is down—as does the whole family. Each episodic chapter confronts Ryan with a situation; intermittently funny, frustrating, and touching, they should be familiar and accessible to readers, as when Ryan fumbles her Easter speech despite careful practice. Ryan, her family, and friends are Black, and Watson continues to bring visibility to both Portland, Oregon, generally and its Black community specifically, making another wonderful contribution that allows Black readers to see themselves and all readers to find a character they can love.
Move over Ramona Quimby, Portland has another neighbor you have to meet! (Fiction. 8-10)Pub Date: April 28, 2020
ISBN: 978-1-5476-0056-4
Page Count: 192
Publisher: Bloomsbury
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: Feb. 15, 2020
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY
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