A welcome contribution to the literature of photography and of California.
Gracefully written, thoroughly well-considered life of the 19th-century California immigrant whose strange experiments in photography yielded both Hollywood and Silicon Valley.
That’s a tall claim, but Solnit (Wanderlust, 2000, etc.) defends it capably, if sometimes obliquely. In the way of many transplants to California, English-born Eadweard Muybridge (1830–94) reinvented himself a few times—changing his name, for example, from the slightly less exotic Edward James Muggeridge—before settling down in San Francisco in 1855. Within a few years, Solnit remarks, he “became a father, a murderer, and a widower, invented a clock, patented two photographic innovations, [and] achieved international renown as an artist and a scientist.” He also attracted a sympathetic ally in railroad baron Leland Stanford (1824–93), who commissioned him to photograph a racehorse on the run to settle a bet as to whether a trotter ever has all four feet off the ground at the same time, thereby helping Muybridge become one of the most famous photographers of the day. One of many motion studies Muybridge conducted, the resulting sequence of photographs inspired other students of photography to press forward with the “zootropic” inventions that would soon thereafter yield the moving picture and thus Hollywood. Out of Stanford’s belief in bankrolling experimenters such as Muybridge, Solnit writes, came Stanford University, seedbed of Silicon Valley. Together, the entertainment and high-tech industries “changed the world . . . from a world of places and materials to a world of representations and information, a world of vastly greater reach and less solid grounding”—again, it seems, a perfectly California thing to do. Solnit does a fine job of placing Muybridge’s and Stanford’s contributions in the context of the other technological changes sweeping the world at the time, and of describing the role of photography in shaping late Victorians’ worldview and culture. She writes with considerable flair, her smart commentary illuminating the dozens of images that accompany her text.
A welcome contribution to the literature of photography and of California.Pub Date: Feb. 1, 2003
ISBN: 0-670-03176-3
Page Count: 320
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2002
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
