Superb.
Three interwoven narrative strands explore the complicated possibilities of friendship in early adolescence.
Bridge (formerly Bridget) finds increasing confidence as she navigates her seventh-grade year, while, in unsent letters to his absent grandfather, classmate Sherm expresses grief and anger over changes in his family. And an unnamed, slightly older child in a second-person narrative spends a single miserable day avoiding school for reasons that are revealed at the turning point. Stead explores communication and how messages—digital or verbal, intentional and inadvertent, delivered or kept private—suffuse the awkward, tentative world of young teens leaping (or sometimes falling) from the nest in search of their new selves. From Bridge’s cat-ears, worn daily from September through mid-February, to Sherm’s stolid refusal to respond to his grandfather’s texts, the protagonists try on their new and changing lives with a mixture of caution and recklessness. Stead adroitly conveys the way things get complicated so quickly and so completely for even fairly ordinary children at the edge of growing up with her cleareyed look at bullies and their appeal (one girl is “truly genius at being awful”), as well as her look at impulsiveness and the lure of easy sharing via text. She captures the stomach-churning moments of a misstep or an unplanned betrayal and reworks these events with grace, humor, and polish into possibilities for kindness and redemption.
Superb. (Fiction. 11-14)Pub Date: Aug. 4, 2015
ISBN: 978-0-385-74317-4
Page Count: 304
Publisher: Wendy Lamb/Random
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: June 1, 2015
PROFILES
Disappointingly fails to coalesce.
Sometimes the scariest thing is growing up.
Halloween-loving Esther, who is implied Ashkenazi Jewish and White, has had her bat mitzvah, which makes her an adult in religious terms, but she’s not ready to let go of trick-or-treating, even when her parents say otherwise. She’s also not ready to move on to high school or to do anything about her feelings for her best friend, Agustín, whose name may cue him as Latinx. But when the Queen of Halloween freezes their neighborhood in permanent Halloween, Esther finds herself reconsidering the value of forward momentum. Fink, of Welcome to Night Vale podcast fame, tries to do a lot with his creepy premise, but heavy-handed, meaning-laden passages—for example, digressions about neighbors as Esther and friends flee through yards chased by a villain flinging razor-bristling apples—slow the pace to a crawl and leave little for the reader to discover. Esther is joined in her fight against the Halloween Queen (who has sent the adults into a magical Dream and stolen the children) by Agustín; Korean American Christian bully Sasha; and seemingly boring, default White dentist Mr. Gabler, all of whom serve as foils for Esther’s emotional growth as she learns to see past the surface. This reads like two books uneasily combined: one about growing up and discovering people’s value and the other a horror story with a fantastic sense of place and some wonderfully shivery (and not entirely resolved) details.
Disappointingly fails to coalesce. (Horror. 11-14)Pub Date: July 20, 2021
ISBN: 978-0-06-302097-9
Page Count: 288
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: May 31, 2021
Kirkus Reviews Issue: June 15, 2021
In spite of its predictability, likely to find an appreciative audience among young teens.
Thirteen-year-old Flint, aka “Squint,” is determined to finish his comic book in time to enter it in a contest—and before he loses so much more of his eyesight that he can no longer see to draw.
Squint has a degenerative corneal disease that has left him with thick glasses that do little to correct his vision but make him a magnet for bullying by popular kids. When popular McKell reaches out to him, his first reaction is to protect himself by rejecting her. But then he discovers that she’s dealing with plenty herself; her older brother, Danny, has progeria, a rare disease that’s killing him. Danny has a popular YouTube channel in which he suggests challenges or activities designed to bring people together. After his death, the videos keep coming, serving, poignantly, to draw McKell and Squint closer as he gradually emerges from his self-imposed isolation. Squint’s comic-book tale accompanies and parallels his first-person narration, crafting a fantasy world where Squint can be the superhero of his dreams. But it’s the drawing of the comics that presents the greatest challenge to him with his poor vision. The book assumes a white default, with Squint assumed white and biracial McKell half-Filipina and presumably half-white. That Squint’s drawings are not included seems like a major missed opportunity to broaden this sometimes-maudlin tale of loss and redemption.
In spite of its predictability, likely to find an appreciative audience among young teens. (Fiction. 11-14)Pub Date: Oct. 2, 2018
ISBN: 978-1-62972-485-0
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: July 23, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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