Potent, morally complex storytelling that gets under the skin.
Dark doings in the unending summer daylight above the Arctic Circle.
In August 1993, Stevens was public defender for the courts of the North Slope Borough in Utqiagvik, Alaska, previously known as Barrow, a fishing town with a majority Inupiat population. While on vacation in the Lower 48, Stevens learned of the possible rape and double homicide of sisters Bernice and Wanda Ipalook of a large and prominent local family. Back in Utqiagvik, she was assigned to defend Amos Lane, a prickly suspect in the killings who had yet to be charged but was being held for misdemeanors that authorities hoped would keep him in jail while they built their case. Stevens got his bail reduced, and, when the local investigator switched his suspicions toward Bernice’s fiancé, John Adams, she succeeded in getting Lane immunity in exchange for testimony as a witness for the prosecution, meaning he would never be tried for murder. Though the case ended in a dramatic trial, most of this book focuses on Stevens’ adventures as a tanik (an outsider) among the locals. They accept her (though never entirely) as one of their own. The heady mix of true crime and clashing cultures makes for a thrilling, thought-provoking read. “The legal system was Anglo, and the location was Native,” Stevens writes. “The two didn’t fit….The Anglo system of written law, due process, and witnesses and juries…did not work well in a place where community and family values took precedence…and where even such seemingly universal qualities as time or factual evidence were blurred in the day-warping constant sunlight.” Stevens studied English before devoting herself to the law, and her talents as a writer shine through in scene after memorable scene that evoke Scandinavian noir.
Potent, morally complex storytelling that gets under the skin.Pub Date: July 14, 2026
ISBN: 9781640097711
Page Count: 204
Publisher: Counterpoint
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: tomorrow
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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