It's been one of those weeks for Dylan Klein. He's called home from Hollywood, where his pitch for a movie based on his latest detective novel has been going nowhere, to his father's funeral, and then he's called away from the funeral to search for his AWOL nephew Zak. Dylan's the natural person to look for Zak, because the two have always marched to the same different drummer, but now things aren't looking so good for anybody on Zak's wavelength. Valencia Jones, one of Zak's fellow students at Riversborough College, has been railroaded into a serious drug charge, courtesy of a killer cache of a new designer drug called Isotope, not to mention that a retired cop who's been nosing around her case turns up dead. When Zak asks too many questions at Riversborough without saying please, he's locked up with a cellmate who's obviously coasting on Isotope and feels so good that he won't mind becoming the next casualty. Meantime, Dylan gets the word that Zak's ex-lover Kira Wantanabe, the Riversborough student who's jumped Uncle Dylan's bones, may be a working-girl. Should he ask for her hand (and so on) in marriage, or turn her over to the vice squad? For the first half of Dylan's third manic saga, Coleman (Little Easter, 1993, etc.) spins out lovely, dirty complications with a fine sense of galloping paranoia. It's only when the bill for all this binge plotting comes due that the tale falls short.
Pub Date: Dec. 1, 1997
ISBN: 1-877946-95-8
Page Count: 208
Publisher: Permanent Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...
Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.
When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.
Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.Pub Date: April 23, 2013
ISBN: 978-0-312-57721-6
Page Count: 416
Publisher: St. Martin's
Review Posted Online: Feb. 17, 2013
Kirkus Reviews Issue: March 1, 2013
Readers here get both: “Life was cruel. And hilarious all at once.”
A sprawling family saga with a zesty Mexican-American accent from Cisneros, author of, most recently, Woman Hollering Creek (1991).
Every summer, all three Reyes brothers drive with their wives and children from Chicago to Mexico City to visit their parents. Narrator Lala begins with a particularly dreadful trip during which “the Awful Grandmother” reveals a shameful secret from her favorite son’s past to humiliate her detested daughter-in-law. These are Lala’s parents, and Lala then rolls the narrative back, goaded by a scolding second voice whose identity we learn later, to tell us how a desolate, abandoned girl named Soledad became the Awful Grandmother. Soledad comes from a family of shawl-makers, and her most significant possession is a rebozo caramelo, a silk shawl whose striped design, when she unfurls it after her husband’s death, evokes “the past . . . the days to come. All swirling together like the stripes.” Wearing it years later to her parents’ 30th anniversary, Lala brings the fringe to her lips and tastes “cooked pumpkin familiar and comforting and good, reminding me I’m connected to so many people, so many.” Cisneros’ keen eye enlivens descriptions of everything from Chicago’s famed Maxwell Street flea market to Soledad’s sun-stroked house on Destiny Street. (The author riffs playfully throughout on the double meaning of destino, as either “destiny” or “destination”; it’s hard to imagine that the simultaneous Spanish-language edition will be as stylistically original as this casually bilingual text.) Melodrama abounds, and the narrator doesn’t disdain her tale’s links to Mexico’s famed telenovelas. In one of many entertaining footnotes, vehicles for historical and biographical background as well as the author’s opinions, she insists that those TV soap operas merely “[emulat] Mexican life.” The only way to cope is with a robust sense of humor. As Lala’s friend Viva says, “You’re the author of the telenovela of your life. Comedy or tragedy? Choose.”
Readers here get both: “Life was cruel. And hilarious all at once.”Pub Date: Sept. 30, 2002
ISBN: 0-679-43554-9
Page Count: 448
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
PERSPECTIVES
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