Nicely atmospheric but unsatisfying. Weak on plot, and the revelations (when they come) are pretty disappointing.
Impressionistic account of an orphan who marries a mysterious architect and comes of age in early 20th-century Ireland.
From the Brontës to Barbara Cartland, the poor orphan who marries a dark and brooding gentleman has been a romantic staple. McBride (The Land of Women, 2003, etc.) weaves a Celtic thread into the pattern, setting her tale in Dublin and the west of Ireland during the years just before WWI. Our heroine is young Dierdre, who grows up on the forlorn Great Blasket Island but comes to live at the Enfant de Marie Convent on the mainland after losing both her parents. There, she’s given a good education by the sisters, and in due course she asks to enter the convent as a nun herself. One of her fellow novices is Bairbre O’Breen, the daughter of a wealthy widow whose benefactions have supported the convent for years. Bairbre’s brother Manus, a young architecture student, often comes to visit and quickly falls in love with Dierdre—who wastes no time in forsaking the religious life to accept his proposal of marriage. Soon the young couple settle in Dublin, where Manus begins his career as assistant to a prominent architect. Although a baby son dies in infancy, Dierdre has two daughters who grow up into bright, happy girls. But the O’Breens are a family of secrets, and Dierdre soon finds that her mother-in-law is intent on having a grandson who will become a priest (even though both Manus and Dierdre have lost their Catholic faith) on account of a murky scandal far back in the O’Breen genealogy. Dierdre, for her part, has a mystery connected with the death of her parents that she’s loath to tell Manus. Who said the Irish can’t keep a secret? If this family were any less communicative they’d be mute.
Nicely atmospheric but unsatisfying. Weak on plot, and the revelations (when they come) are pretty disappointing.Pub Date: June 3, 2004
ISBN: 0-7432-5497-X
Page Count: 304
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2004
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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