by Reginald Hill ‧ RELEASE DATE: Aug. 1, 2011
Near the end, a character refers to the fate of “the dreadful, drab English.” There’s nothing drab about this dark and...
A grim-dandy psychological thriller about betrayal and revenge set in England.
Sir Wilfred Hadda has risen far from his humble days as a woodcutter’s son. Nicknamed both Wilf and Wolf, it’s the latter that follows him throughout the story. He’s handsome, rich, well-connected and married to a gorgeous upper-class woman. What more could a man want? Oh wait, there’s someone at the door. The authorities arrive with a warrant, something about fraud and child pornography. In a panic at the false accusations, Wolf foolishly bolts into London traffic, with macabre consequences that are not for the squeamish reader. As an accused and apparently proven child molester, the tabloids crucify and the court convicts him. His trusted friend/lawyer abandons him, his wife divorces him, his business goes belly-up and he lands in prison. Only his physical toughness protects him from his pedophile-loathing fellow convicts. He simply cannot sink lower. The Swedish-Nigerian psychiatrist Alva Ozigbo (a beautiful woman, of course) tries to persuade him to face up to his obvious guilt. He vehemently protests his innocence, though admitting guilt may shorten his sentence. Years later he is released, but he is a pariah in the Cumbrian village where he was raised and chooses to return. He just wants to become a simple woodcutter, though he has questions for which he hires a private investigator. The answers may take a while, the P.I. tells him; what will you be doing in the meantime? “Sharpening my axe,” Wolf replies. Clearly, he had been set up. But by whom, and why? And what will he do about it? Doctor Ozigbo plays an intriguing secondary role as Wolf navigates the many dangerous twists and untangles the deceit that dates back for a generation.
Near the end, a character refers to the fate of “the dreadful, drab English.” There’s nothing drab about this dark and compelling novel, although some of its characters are dreadful human beings.Pub Date: Aug. 1, 2011
ISBN: 978-0-06-206074-7
Page Count: 528
Publisher: Harper/HarperCollins
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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