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FAITH AND HISTORY

Such is the stature attained by Reinhold Niebuhr as a theologian and prophetic interpreter of the current scene that the appearance of a major work of his pen must be regarded as a significant event in the religious world. The present volume has a comprehensive sweep comparable to the works of Toynbee. Indeed, the book gives evidence of having been prompted, at least in part, by Toynbee's interpretation of history with which Niebuhr is at many points in sharp disagreement. The book also gives the historical as well as philosophical background of the realistic theology of which Niebuhr is the chief exponent in this country. Niebuhr is at pains in this volume to distinguish between the classical, the Biblical (or Christian) and the modern interpretation of history. He is particularly concerned to point out the fundamental errors of the point of view current in the eighteenth, nineteenth and early twentieth century, which sees history as the record of inevitable progress onward and upward which progress has within itself the power to redeem mankind from all of the evils which beset mankind. He repudiates entirely the idea of evolutionary perfectionism and asserts that we must return to the Christian belief in the innate evil of man from which he can be redeemed only by the power of God. He repudiates not only the "soft utopianism" of those who believe that goodness will inevitably conquer and the "hard utopianism" of Marxism which identifies the ultimate goal in terms of a definite economic order. This is a book which will command wide attention from the clergy, theologians and philosophers and other serious minded Protestant Christians.

Pub Date: April 18, 1949

ISBN: 1178617467

Page Count: 276

Publisher: Scribner

Review Posted Online: May 22, 2012

Kirkus Reviews Issue: April 1, 1949

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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