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WHAT I HAVE TO TELL

A MEMOIR

A survivor’s simply and beautifully conveyed remembrance, powerful and edifying.

Awards & Accolades

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A woman recollects a childhood in Germany upended by the Nazis—and her determination to begin anew without forgetting the past.

Justin (A Long Journey, 2017) enjoyed a “tranquil” youth in Germany—her Jewish home was filled with love, music, and poetry—until the Nazis robbed her of her innocence and security: “The joys of my childhood were slowly contaminated by fear as the political climate changed.” The author’s life became subjected to a gradual but unalterable ostracism: Her non-Jewish friends could no longer play with her; teachers she respected stopped acknowledging her presence; and fewer and fewer people attended her parents’ convivial parties. Her family’s garden was defaced with a swastika and her sister Eva was interrogated and expelled from the country—she innocently misread a Nazi poster aloud—at the age of 9. Justin was eventually sent, with her sister Helga, to a boarding school in the Netherlands, and her father was arrested and nearly sent to a concentration camp. In 1939, the family reunited and escaped to the United States, forced to start over penniless in a culturally unfamiliar land, an alienating experience poignantly described by the author. In 1947, Justin fulfilled a lifelong dream and went to medical school, penetrating the “male domain of medicine,” and had her own practice by the 1960s. The memoir candidly discusses the author’s attempt to simultaneously confront but also move beyond the trauma of her youth, an anguish that relegated so many Jews to reticence and secrecy: “We had learned early in our childhood that it was dangerous to speak. In Nazi Germany, silence was safer than talking.” Justin’s account is beautifully impressionistic—she furnishes a string of brief vignettes that contrast life under Nazi rule with her formerly idyllic existence. She writes plainly, a style that ably conveys an unembellished strength, and her grief is accompanied by a moving expression of gratitude for survival. The brief book is adorned with gorgeous color and black-and-white photography—from various sources—presented on brilliantly glossy pages. This is a stirring testament to a remarkable life, full of both despair and heartwarming triumph. 

A survivor’s simply and beautifully conveyed remembrance, powerful and edifying.

Pub Date: N/A

ISBN: 978-1-942624-56-1

Page Count: 163

Publisher: Crystal Publishing LLC

Review Posted Online: May 10, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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