Tabu, a happy little baby, lives on the great plains of Africa with his parents. The mother works in the fields all day, father sleeps away the heat in the family hut (he is tired from carving toys for the baby, and from his hunting exploits), so perhaps it's not surprising when an elephant mother steals Tabu. The father fails to get Tabu back, but the resourceful mother spends an enchanted night with the elephants and brings her boy home safe and sound. Those with no sense of humor will be rankled by this tale, for it seems full of stereotypes, but it is actually one jolly ride through the African landscape. Gilbert's paintings are thick with forms sculpted from color and yet have an airiness that makes magic of the moment when elephants dance. (Picture book. 4-8)
Pub Date: Feb. 1, 1995
ISBN: 0-525-45226-5
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1995
BOOK REVIEW
Hesse (Just Juice, p. 1600, etc.) hits some high notes in this story of parched summer days in the city. Young Tess watches as her mother tends to her woeful wilting vegetable patch; the heat is enveloping. Tess, from her perch on the fire escape, scans the sky in hopes of deliverance, and sure enough, those are rain clouds she spies. When the clouds break, everyone steps joyfully to the rain dance. Hesse’s language is a quiet, elegant surge—“ ‘Rain’s coming, Mamma,’ I say. Mamma turns to the window and sniffs. ‘It’s about time,’ she murmurs,” but it can become ornate (“trinkets of silver rain” and music that “streaks like night lightning”) and jarring amid the contained beauty of the rest of the writing. Muth contributes fine watercolor atmospherics, in sultry summer scenes where the heat is almost palpable, and raucous wet scenes of jubilant dancers. (Picture book. 4-8)
Pub Date: March 1, 1999
ISBN: 0-590-33125-6
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1998
Pretty, though as condensations go, less Wonder-full than Robert Sabuda’s pop-up Alice (2003) or the digital Alicewinks...
A much-abridged version of the classic’s first five chapters, dressed up with large and properly surreal illustrations.
Rhatigan and Nurnberg retain “Curiouser and curiouser!” and other select bits of the original while recasting the narrative in various sizes of type and a modern-sounding idiom: “Tiny Alice needed something special to eat to get back to her regular girl size.” They take Carroll’s bemused young explorer past initial ups and downs and her encounter with a certain (here, nonsmoking) Blue Caterpillar. Looking more to Disney than Tenniel, Puybaret casts Alice as a slender figure with flyaway corn-silk hair and big, blue, widely spaced eyes posing with balletic grace against broadly airbrushed backdrops. Leafless trees and barren hills give Wonderland an open, autumnal look. The odd vegetation adds an otherworldly tone, and compact houses and residents from the White Rabbit and the Dodo to occasional troupes of mice or other small creatures in circus dress are depicted with precise, lapidary polish. A marginally relevant endpaper map (partly blocked by the flaps) leads down the River of Tears, past a turnoff for a Bathroom and on toward “the Tea Party.”
Pretty, though as condensations go, less Wonder-full than Robert Sabuda’s pop-up Alice (2003) or the digital Alicewinks (2013). (Picture book. 5-8)Pub Date: Feb. 24, 2015
ISBN: 978-1-62354-049-4
Page Count: 28
Publisher: Charlesbridge
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
