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This story (and sequels) will undoubtedly enthrall readers seeking a torrid, tortured romance in a trendy setting; still, a...

In a historical fantasy inspired by feudal Japan, the daughter of aristocrats finds a place among sort-of-ninjas akin to Robin Hood’s band.

Hattori Mariko, barely 17, is resentful but resigned to an imperial marriage. When her caravan is waylaid, she seizes the chance to become something else. Disguised as a boy, she infiltrates the notorious Black Clan to investigate why they undertook her murder; but she is not prepared for the secrets she uncovers…especially about herself. Ahdieh’s follow-up to her superlative two-part Arabian Nights retelling, The Wrath and the Dawn (2015) and The Rows and the Dagger (2016), is equally rich in legendary glamour and again features convoluted political intrigue and star-crossed romance between a clever heroine and brooding hero. Unfortunately, the author’s extensive research results less in a sensuous, subtly constructed background than in obtrusive dumps of vocabulary and exposition. Truncated paragraphs and sentence fragments are overused to simulate dramatic tension. Mariko constantly complains of sexist oppression, but the story shows her held back mostly by her own vacillation. She is, however, amazingly ingenious, inventing an entire arsenal of ninja-style weaponry in a matter of weeks. The hints of magic are frustratingly arbitrary and vague, and the motives of the villain(s?) utterly opaque right up to the cliffhanger ending.

This story (and sequels) will undoubtedly enthrall readers seeking a torrid, tortured romance in a trendy setting; still, a disappointment from an author capable of so much more. (Fantasy. 12-adult)

Pub Date: May 16, 2017

ISBN: 978-0-399-17163-5

Page Count: 416

Publisher: Putnam

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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