This story (and sequels) will undoubtedly enthrall readers seeking a torrid, tortured romance in a trendy setting; still, a...
by Renée Ahdieh ‧ RELEASE DATE: May 16, 2017
In a historical fantasy inspired by feudal Japan, the daughter of aristocrats finds a place among sort-of-ninjas akin to Robin Hood’s band.
Hattori Mariko, barely 17, is resentful but resigned to an imperial marriage. When her caravan is waylaid, she seizes the chance to become something else. Disguised as a boy, she infiltrates the notorious Black Clan to investigate why they undertook her murder; but she is not prepared for the secrets she uncovers…especially about herself. Ahdieh’s follow-up to her superlative two-part Arabian Nights retelling, The Wrath and the Dawn (2015) and The Rows and the Dagger (2016), is equally rich in legendary glamour and again features convoluted political intrigue and star-crossed romance between a clever heroine and brooding hero. Unfortunately, the author’s extensive research results less in a sensuous, subtly constructed background than in obtrusive dumps of vocabulary and exposition. Truncated paragraphs and sentence fragments are overused to simulate dramatic tension. Mariko constantly complains of sexist oppression, but the story shows her held back mostly by her own vacillation. She is, however, amazingly ingenious, inventing an entire arsenal of ninja-style weaponry in a matter of weeks. The hints of magic are frustratingly arbitrary and vague, and the motives of the villain(s?) utterly opaque right up to the cliffhanger ending.
This story (and sequels) will undoubtedly enthrall readers seeking a torrid, tortured romance in a trendy setting; still, a disappointment from an author capable of so much more. (Fantasy. 12-adult)Pub Date: May 16, 2017
ISBN: 978-0-399-17163-5
Page Count: 416
Publisher: Putnam
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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by Adib Khorram ‧ RELEASE DATE: Aug. 28, 2018
Darius Kellner suffers from depression, bullying by high school jocks, and a father who seems to always be disappointed in him.
When Darius’ grandfather becomes terminally ill, Darius, along with his parents and younger sister, travels to Iran for the first time in his life. Iranian on his mother’s side and white American on his father’s side, Darius never quite fits in. He’s mocked for his name and nerdy interests at Chapel Hill High School in Portland, Oregon, and doesn’t speak enough Farsi to communicate with his Iranian relatives either. When he arrives in Iran, learning to play the Persian card game Rook, socializing, and celebrating Nowruz with a family he had never properly met before is all overwhelming and leaves Darius wondering if he’ll ever truly belong anywhere. But all that changes when Darius meets Sohrab, a Bahá’í boy, in Yazd. Sohrab teaches Darius what friendship is really about: loyalty, honesty, and someone who has your back in a football (soccer) match. For the first time in a long time, Darius learns to love himself no matter what external forces attempt to squash his confidence. Khorram’s debut novel is filled with insight into the lives of teens, weaving together the reality of living with mental illness while also dealing with identity and immigration politics.
This tear-jerker will leave readers wanting to follow the next chapter in Darius’ life. (Fiction. 12-adult)Pub Date: Aug. 28, 2018
ISBN: 978-0-525-55296-3
Page Count: 320
Publisher: Dial Books
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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