by Renita Bryant ‧ RELEASE DATE: Oct. 1, 2024
A slim, earnest novel about the ways in which parents can hurt us for life.
A woman attempts to move beyond her anger at her dying father in Bryant’s novel.
Sixteen years ago, Yvette’s mother died. Then her father, a pastor, quickly dropped out of her life to be with his new wife and stepdaughter. Unlike her sister Zoe, Yvette has never fully gotten over either of those losses, even as she’s grown to be a successful woman, wife, and mother. Now Yvette is about to turn 42—the age her mother was when she died—and mortality has been creeping into her thoughts. So have her feelings about her father, which she claims to experience less as pain than as a sort of emptiness. “It somehow bypasses the emotions that accompany caring and instead migrates to not having any feeling at all,” she thinks. “It settles into a level of indifference unmatched by any spite or unwavering ill will.” On a routine trip to her Georgia hometown to visit Zoe, Yvette receives a surprise: Zoe has conspired to arrange a meeting with Vera, the stepdaughter from their father’s second marriage. Though Yvette and Vera are similar in many respects—Vera also has a husband and daughter—they have radically different understandings of their father. To Vera, the Pastor (as she calls him) is a loving, dependable, and loyal man, and she can’t understand why Yvette would shut him out of her life. Yvette feels betrayed by the setup; even after learning that the Pastor has been diagnosed with cancer, she does not want anything to do with him or his new family. When everyone in her life encourages her to make amends, Yvette attempts to let go of her long-held animosity—unsuccessfully, for the most part. But could Vera hold the key to understanding the distance between Yvette and her father, a secret from years ago that, if brought to light, might change Yvette’s understanding of their strained relationship?
Bryant alternates between Yvette’s and Vera’s points of view over the course of the novel, revealing how the Pastor’s decisions have shaped their respective lives. Even for Vera, who enjoyed the love of living and happily married parents, the irregularity of the Pastor’s two estranged daughters forms a painful wrinkle in her understanding of her otherwise-functional family. Here, Bryant allows Vera to share her side of the story, in typically confessional prose: “It was years before I was privy to the whole story, but in short, his wife had died and his daughters had abandoned him. Based on the whispered conversations I’d overheard, I was sure the decision was driven by his daughter Yvette’s selfishness. If only she’d known.” The novel is brief at under 150 pages, but the plot proceeds slowly, providing Yvette and Vera with little to do aside from stewing in their respective fears and resentments. (Both have highly supportive husbands, which mostly keeps their inner pain from manifesting as real-life drama.) Their emotions are certainly understandable, but the story’s attempt to resolve them feels slightly contrived and simplistic. Some readers will no doubt tear up at the final reveal, while others may wish for a bit more messiness.
A slim, earnest novel about the ways in which parents can hurt us for life.Pub Date: Oct. 1, 2024
ISBN: 9781963874204
Page Count: 158
Publisher: N/A
Review Posted Online: March 20, 2025
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Ann Patchett ‧ RELEASE DATE: June 2, 2026
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
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A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
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