Welcome back to New Kassel, Missouri, where the citizens drink Dr. Pepper, go on hayrides, and flirt with their spouses—and where somebody has thrown Marie Dijon down her basement stairs, ransacked her grave, and run genealogist Victory O’Shea (Family Skeletons, 1997) off the road when her interest in the case gets a little too strong. Torie’s convinced that the secret the grave-robber was looking for lay in the papers Torie filched (in a pricelessly unconvincing nocturnal visit with her two small children) from Marie’s house—papers that tie Marie’s death not only to a local suicide in 1922, but back three hundred years to Louis XIV’s Man in the Iron Mask. And she’s willing to take on the most unlikely allies: the playfully hostile sheriff, who’s now conducting an affair with Torie’s wheelchair-bound mother (!), a translator who can help Torie with the labyrinthine French of Marie’s letters, even the blustery town gossip, who sets a sublimely ingenuous trap for the killer by announcing in her newspaper column that Torie’s sitting on the vital evidence. Fans of Joan Hess may find the odd chuckle in this warmhearted album. For readers less infatuated with small-town comedy, the big news is that the Man in the Iron Mask isn’t Leonardo DiCaprio.
Pub Date: June 19, 1998
ISBN: 0-312-18677-0
Page Count: 224
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1998
A middling mystery with telling historical details and the usual pleasures provided by the regulars’ interpersonal dynamics.
A plucky group of early-20th-century detectives (Murder on Trinity Place, 2019, etc.) takes on the Black Hand.
The leads include Frank Malloy and Gino Donatelli, former police officers who started a detective agency after an unexpected legacy made Malloy a wealthy man; Malloy’s wife, Sarah, the daughter of a wealthy society family who runs a maternity clinic for the poor; and their nanny, Maeve, a budding sleuth who works in Malloy’s office. All of them leap to attention when Gino’s sister-in-law Teodora reports that Jane Harding, a worker at the settlement house where Teo volunteers, has been kidnapped by the Black Hand, who are notorious for abducting the wives and children of anyone who can afford to pay ransom. The New York Police Department is corrupt, and the local Italian immigrants never report crimes. Mr. McWilliam, who runs the settlement house, had asked Jane to marry him, but she’d asked him to allow her to experience more of the single life before deciding. Seeking clues, Sarah visits Mrs. Cassidi, an earlier kidnapping victim who’s refused to talk to anyone, in hopes that her nursing experience and sympathetic manner will get results. Mrs. Cassidi admits to being raped but knows little about where she was held captive, a quiet place in a house where she could hear children. Soon after Nunzio Esposito, a leader of the Black Hand, tells Malloy that no one’s been taken from the settlement house, Jane suddenly reappears but refuses to discuss where she’s been. Lisa Prince, Jane’s well-to-do cousin, reluctantly agrees to take her in even though Jane’s jealous of her wealth and can be unpleasant to deal with. When Esposito’s found murdered in a flat he rented for his mistress, Gino, who’s just arrived on the scene, is arrested. Now the clever sleuths must solve both the murder and the abductions to clear Gino’s name.
A middling mystery with telling historical details and the usual pleasures provided by the regulars’ interpersonal dynamics.Pub Date: April 28, 2020
ISBN: 978-1-9848-0574-4
Page Count: 336
Publisher: Berkley Prime Crime
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
No wonder Scarpetta asks, “When did my workplace become such a soap opera?” Answer: at least 10 years ago.
Happy birthday, Dr. Kay Scarpetta. But no Florida vacation for you and your husband, FBI profiler Benton Wesley—not because President Barack Obama is visiting Cambridge, but because a deranged sniper has come to town.
Shortly after everyone’s favorite forensic pathologist (Dust, 2013, etc.) receives a sinister email from a correspondent dubbed Copperhead, she goes outside to find seven pennies—all polished, all turned heads-up, all dated 1981—on her garden wall. Clearly there’s trouble afoot, though she’s not sure what form it will take until five minutes later, when a call from her old friend and former employee Pete Marino, now a detective with the Cambridge Police, summons her to the scene of a shooting. Jamal Nari was a high school music teacher who became a minor celebrity when his name was mistakenly placed on a terrorist watch list; he claimed government persecution, and he ended up having a beer with the president. Now he’s in the news for quite a different reason. Bizarrely, the first tweets announcing his death seem to have preceded it by 45 minutes. And Leo Gantz, a student at Nari’s school, has confessed to his murder, even though he couldn’t possibly have done it. But these complications are only the prelude to a banquet of homicide past and present, as Scarpetta and Marino realize when they link Nari’s murder to a series of killings in New Jersey. For a while, the peripheral presence of the president makes you wonder if this will be the case that finally takes the primary focus off the investigator’s private life. But most of the characters are members of Scarpetta’s entourage, the main conflicts involve infighting among the regulars, and the killer turns out to be a familiar nemesis Scarpetta thought she’d left for dead several installments back. As if.
Pub Date: Nov. 11, 2014
ISBN: 978-0-06-232534-1
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: July 22, 2014
Kirkus Reviews Issue: Sept. 15, 2014
BOOK TO SCREEN
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