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LITTLE O WANTED TO KNOW

Name: LITTLE O WANTED TO KNOW
Author: Rhea Sarason
ISBN: 9780063446199

A FABLE ABOUT FINDING YOUR TRUE SELF

by Rhea Sarason ; illustrated by Barroux ‧ RELEASE DATE: March 31, 2026

Uplifting but rambling.

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Lowercase letter o embarks on a physical and emotional journey.

“Once upon a line, / o sat before p, and n was behind.” But o doesn’t care for the rigidity of alphabetical order, and don’t get her started on the Alphabet Song: “Must we sing the song this way? / What if we sung it from z to a?” In frustration, o rolls off and ends up in a land of shapes, but still she doesn’t fit in, which undermines her self-esteem. This letters-as-characters story won’t be mistaken for Chicka Chicka Boom Boom—it’s self-help intended for kids, and though it’s well meaning, it’s too long and meandering and on the didactic side. The narrative, which has its roots in a viral TikTok video, culminates with o realizing that she’s actually Zero, after which there’s some straining for Seussian uplift, and by this point, Sarason seems to have given up on trying to make her rhymes scan (“Finding a place within herself, / O made her dream come true.… // And if you look close enough, / you’ll find O within yOu.” Barroux does what he can with a cast restricted to letters, shapes, and, eventually, numbers, rendering each with a single color (o is purple), skinny limbs, and ping-pong-ball–like eyes with dot pupils. The characters go about their business on flower-speckled green grass, without which this story, which is largely set against open space, might look rather dystopian.

Uplifting but rambling. (author’s note) (Picture book. 4-8)

Pub Date: March 31, 2026

ISBN: 9780063446199

Page Count: 112

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

Categories:

CHILDREN'S SOCIAL THEMES

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

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by Tish Rabe ; illustrated by Jim Valeri

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by Tish Rabe ; illustrated by Sarah Jennings

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by Tish Rabe ; illustrated by Dan Yaccarino

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024

Too cute to be spooky indeed but most certainly sweet.

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A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)