Painless counting practice for construction-truck fans.

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PUSH! DIG! SCOOP!

A CONSTRUCTION COUNTING RHYME

Anthropomorphic mother and father construction trucks teach their young ones how to do their jobs in this counting book/singalong.

“Over by the dirt pile in the sizzling summer sun / works a mama bulldozer with her little dozer ONE. / ‘Push!’ says the mama. ‘I push!’ says the one. / So they push oosh oosh in the sizzling summer sun.” The tune (“Over in the Meadow”) is a familiar one, especially since so many recent books use it in similar fashion, but the addition of the sound effects (strange as some may seem) is a nice touch that will be appreciated by storytime audiences. Both mother and father trucks are pictured, and gender is delineated with accessories (all stereotypical), eyelashes (only on the mothers), and the relative thickness of eyebrows. A few wear glasses, and one wears a patch over one eye. The equipment includes excavators, wheel loaders, dump trucks, pipe layers, cement mixers, cranes, graders, asphalt pavers, and steamrollers. At the end of their hard day, they celebrate, hose off, and snuggle in for lullabies. Though those reading aloud may stumble over a few verses with off rhythms, little ones who love construction sites may be too busy poring over the digitally colored ink drawings of their favorite trucks to notice.

Painless counting practice for construction-truck fans. (Picture book. 2-5)

Pub Date: Oct. 25, 2016

ISBN: 978-0-8027-3506-5

Page Count: 40

Publisher: Bloomsbury

Review Posted Online: July 20, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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There is no real story, but the moving parts are fun, and the illustrations are beautiful.

EGGS ARE EVERYWHERE

An interactive egg hunt with turning-wheel and lift-the-flap elements.

This board book begins by directing readers to find the hidden eggs. Each wheel—there are four in all set into the interior pages—has several different eggs on it, and turning it reveals an egg in a little die-cut window. Spinning it further hides the egg behind one of two lift-the-flap panels—two baskets, for example—and readers must guess behind which they’ll find the egg they have chosen to track. A diagram on the back provides instructions for use, likely more helpful to caregivers than to little ones. There is no narrative in this book; it’s simply page after page of different directives along the lines of “Guess which door!” As a result, the focus is really on manipulatives and the illustrations. Fortunately, Kirwan’s spring-themed artwork is gorgeous. The backdrop of each page is flower- and leaf-themed with warm spring hues, echoing the artwork of Eastern European hand-stenciled Easter eggs, two of which appear at the end of the book. The animals, like the smiling snail and mischievous mice, are reminiscent of classic European fairy-tale creatures. The only human in the book is a dark-skinned child with tight, curly hair. The moveable pieces largely work, though at times the necessary white space under the flaps interrupts the illustration awkwardly, as when the child’s hands suddenly develop large oval holes if the spinner is not in the correct position. Overall, it’s more game than book.

There is no real story, but the moving parts are fun, and the illustrations are beautiful. (Board book. 2-4)

Pub Date: Feb. 4, 2020

ISBN: 978-1-4521-7457-0

Page Count: 10

Publisher: Chronicle

Review Posted Online: Dec. 18, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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