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FRANNY'S FATHER IS A FEMINIST

An excellent primer on what feminism and allyship entail.

Little readers learn what it means to be a feminist.

As the title says, Franny’s father is a feminist. Feminists, small print explains, believe “that girls can do everything boys can do, and…[that girls deserve] all the same rights, freedoms, and opportunities that” boys have. The story goes on to explore what it means to raise a child with an equal-opportunity philosophy, highlighting Franny’s father’s childhood as a budding feminist and showing several real-world examples of how feminism influences Franny’s development. Franny and her father are white, but Franny’s friend Sasha is black, as is her father (who also happens to be a feminist). The illustrations boast cartoon characters with pop eyes. The color palette mixes pinks, baby blues, and greens to excellent effect, mirroring the muddying of traditional gender roles—Franny’s father is the primary caregiver, while Franny’s mom “has an important job” outside the home. The book’s tone is informative rather than preachy, presenting feminism not as the only way to be but rather a sensible caregiving choice. Some caregivers may be able to use this title to sort out their own feelings on the subject.

An excellent primer on what feminism and allyship entail. (Picture book. 4-7)

Pub Date: March 6, 2018

ISBN: 978-1-57687-873-6

Page Count: 32

Publisher: POW!

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: April 1, 2018

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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