A fine picture book to sit on the shelf alongside Ruby Bridges’ Through My Eyes (1999) and Doreen Rappaport and Bryan...

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MAKE A CHANGE

One kid learns a lesson on how dangerous making assumptions can be.

Marvin hates shopping, but Mama takes him to the new Rich’s department store for new pants. After Marvin tries on “everything in the store,” they finally go to the grill inside Rich’s for lunch. But sitting at the lunch counter is for “whites only,” and an older white man reminds Marvin of this when the boy tries out the shiny red swivel stools. But Mama says change is coming. When the family gets the opportunity to help usher in the change, the kids participate too. Since the city won’t allow black citizens to picket in front of Rich’s, they organize a pray-in instead. During this momentous event, Marvin realizes that blacks are not fighting for civil rights alone. This epiphany changes his life. Based on an incident in the childhood of co-author James “Sparky” Rucker, this story takes place in Knoxville, Tennessee. Since so many children’s stories about the movement take place in Alabama, Louisiana, or Mississippi, this one will help to broaden young readers’ understanding of its geographical reach. Nicol’s illustrations, with deep, rich colors, capture well the determination of the black citizens and the stress that comes with breaking through racial barriers.

A fine picture book to sit on the shelf alongside Ruby Bridges’ Through My Eyes (1999) and Doreen Rappaport and Bryan Collier’s Martin’s Big Words (2001) . (Picture book. 4-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4556-2275-7

Page Count: 32

Publisher: Pelican

Review Posted Online: June 14, 2017

Kirkus Reviews Issue: July 1, 2017

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Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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Lê’s compelling storyline is propelled forward by Santat’s illustrations, each capturing both the universal longing to...

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  • Asian/Pacific American Award for Literature Winner

DRAWN TOGETHER

The power of art takes center stage in this cleverly titled story of a Thai-speaking grandfather connecting to his assimilated American grandson.

The title page introduces readers to a sullen-faced Asian boy as he walks up to a door and rings the bell. After a traditional bow of greeting, the grandfather, dressed like Mr. Rogers in a white shirt and red sweater, wordlessly welcomes the grandson inside. In paneled artwork, the two unsuccessfully attempt conversation over dinner, with the grandfather speaking in Thai script and the boy speaking in English. Sitting in the uncomfortable silence that cultural divides create, the awkward boy finally walks away to doodle on paper. He draws a wizard with a wand and a conical red hat. Grandpa, recognizing this creative outlet, fetches a sketchbook and, surprisingly, draws his version of a wizard: a tightly detailed warrior clothed in traditional Thai ceremonial dress. The young boy is amazed, marveling that “we see each other for the first time.” The two begin a battle of imagination, wands and paintbrushes thrashing like swords. One draws in energetic colorful cartoons, the other with fierce black-and-white, precisely brushed drawings. Santat elevates their newfound shared passion into energetic, layered, and complex designs, separate and entwined at the same time. They clash with the dragon that divides them and build a new world together “that even words can’t describe.”

Lê’s compelling storyline is propelled forward by Santat’s illustrations, each capturing both the universal longing to connect and the joy of sharing the creative process. (Picture book. 4-8)

Pub Date: June 5, 2018

ISBN: 978-1-4847-6760-3

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: April 16, 2018

Kirkus Reviews Issue: May 1, 2018

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