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THE LAST RESISTANCE

DRAGON TOMB

An epic and inventive Far East, space-invasion reimagining of World War II.

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In 1939, an incredible archaeological discovery in China leads to contact with an ancient race of aliens—who fatefully join the Allied cause—in this debut novel.

In a Chinese mainland brutally conquered by Imperial Japan, Chuan-Jay Hoo (aka “CJ”) is a young prisoner of war. The soldier’s background as a U.S.-trained archaeologist puts him in the vanguard of a large, secret Japanese troop expedition to long-buried tombs and sacred mountains. What the invaders want with antiquities even older than the Shang Dynasty is revealed when they penetrate an underground complex and awaken the “Launtja.” These are reptilian space-alien warriors from the planet Shah, dormant for four millennia after their ship crashed and their injured captain went into time-warp stasis while the crew awaited rescue (4,000 years not being a daunting span for them). The Launtja taught the early Chinese the rudiments of civilization and the traditions of “dragons” (such monsters are the aliens’ flying biomechanical weapons). The reanimated Launtja mercilessly wipe out the Japanese intruders but spare CJ, finding him DNA-related kin. With Pearl Harbor, the soldier brokers diplomacy between the ETs, the Chinese leadership, and the Allies, trying to repair the visitors’ technology in exchange for fighting the Axis and furthering a secret “Project Manhattan” to develop super-bombs. But in a breathtaking second-act plot twist, the alien deep-space “rescue” fleet arrives and—to everyone’s shock—expands the conflict from a world war to an interstellar one. Alexanders pens an ambitious, sweeping, and entertaining escapist sci-fi yarn that promises to be the first installment of a five-part series, although this volume stands on its own. Chiang Kai-shek, Enrico Fermi, Franklin D. Roosevelt, Churchill, Hitler, and Stalin join the ensemble, although the boyish and plucky CJ winds up the center of things. There is a basically pulpish feel to the antics—an alien WMD is called the “Gronkageddon,” and CJ’s American mentor is a brash, fedora-wearing archaeology professor called Dr. Jones (first name: Harry). The audience will likely overlook that thanks to Alexanders’ storytelling finesse and the fresh point of view of early World War II from the Chinese political and cultural side, a vantage as alien to many Western readers as Mars. The material even survives an overused deus ex machina ending that, with a lesser work, might have felt like an immense letdown.

An epic and inventive Far East, space-invasion reimagining of World War II.

Pub Date: Nov. 8, 2017

ISBN: 978-1-979564-95-3

Page Count: 574

Publisher: CreateSpace

Review Posted Online: April 20, 2018

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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