Aellen, an always trend-conscious suspense-writer (Flash Point, 1991, etc.), outdoes himself here with a cleverly au courant—and engrossing—thriller that mixes three timely suspense themes: multiple-personality disorder (cf. William Diehl's Primal Fear and James Patterson's Along Came a Spider), deep-cover Soviet agents left out in the cold (cf. Bob Reiss's The Last Spy), and child abuse. The brunt of all this misery is Secret Service agent Bob Sullivan, whose world shatters when he gets a phone call saying, ``I see the president and he's been bad.'' In a trance, Bob walks into the Oval Office and levels his gun at the President. The agent comes to before shooting, but the damage is done and, soon after, Bob is suspended. In intercut scenes set mostly in Moscow, we learn the truth behind Bob's troubles. Born in Russia as Mischa Amenov, he was subjected to an experiment that split him into three: Mischa; Cain, a homicidal maniac; and Bob, an all-American created by raising the boy in a replica of a small Kansas town. Mischa/Cain/Bob was then inserted into the US as a time bomb to kill the President by releasing Cain when the trigger-words are spoken. Bob knows none of this, but he begins to catch on when he visits his ``real'' Kansas hometown and no one recognizes him. Another clue takes him to Russia, where he learns that his stepfather, avenging Bob's unfaithful mother, is trying to trigger Cain. Meanwhile, the panicky Soviets have sent an assassin after Bob, but the stepfather kills that killer and then kidnaps Bob's two children to force Cain's hand. The kids manage to signal their location to Bob, though, leading to the blood-and-fire-filled climax. Too complicated, but strong characters and fresh, smart—and fashionable—action make this Aellen's best since his debut, Red Eye (1988).
Pub Date: April 27, 1993
ISBN: 1-55611-348-X
Page Count: 384
Publisher: Donald Fine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1993
Back to a Jurassic Park sideshow for another immensely entertaining adventure, this fashioned from the loose ends of Crichton's 1990 bestseller. Six years after the lethal rampage that closed the primordial zoo offshore Costa Rica, there are reports of strange beasts in widely separated Central American venues. Intrigued by the rumors, Richard Levine, a brilliant but arrogant paleontologist, goes in search of what he hopes will prove a lost world. Aided by state-of- the-art equipment, Levine finds a likely Costa Rican outpostbut quickly comes to grief, having disregarded the warnings of mathematician Ian Malcolm (the sequel's only holdover character). Malcolm and engineer Doc Thorne organize a rescue mission whose ranks include mechanical whiz Eddie Carr and Sarah Harding, a biologist doing fieldwork with predatory mammals in East Africa. The party of four is unexpectedly augmented by two children, Kelly Curtis, a 13-year-old "brainer," and Arby Benton, a black computer genius, age 11. Once on the coastal island, the deliverance crew soon links up with an unchastened Levine and locates the hush-hush genetics lab complex used to stock the ill- fated Jurassic Park with triceratops, tyrannosaurs, velociraptors, etc. Meanwhile, a mad amoral scientist and his own group, in pursuit of extinct creatures for biotech experiments, have also landed on the mysterious island. As it turns out, the prehistoric fauna is hostile to outsiders, and so the good guys as well as their malefic counterparts spend considerable time running through the triple-canopy jungle in justifiable terror. The far-from-dumb brutes exact a gruesomely heavy toll before the infinitely resourceful white-hat interlopers make their final breakout. Pell-mell action and hairbreadth escapes, plus periodic commentary on the uses and abuses of science: the admirable Crichton keeps the pot boiling throughout.
Pub Date: Sept. 28, 1995
ISBN: 0-679-41946-2
Page Count: 480
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1995
PLB 0-688-13166-2 King Midas And The Golden Touch ($16.00; PLB $15.63; Apr.; 32 pp.; 0-688-13165-4; PLB 0-688-13166-2): The familiar tale of King Midas gets the golden touch in the hands of Craft and Craft (Cupid and Psyche, 1996). The author takes her inspiration from Nathaniel Hawthorne’s retelling, capturing the essence of the tale with the use of pithy dialogue and colorful description. Enchanting in their own right, the illustrations summon the Middle Ages as a setting, and incorporate colors so lavish that when they are lost to the uniform gold spurred by King Midas’s touch, the point of the story is further burnished. (Picture book. 7-9)
Pub Date: April 1, 1999
ISBN: 0-688-13165-4
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
