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ANN THE WORD

THE STORY OF ANN LEE, FEMALE MESSIAH, MOTHER OF THE SHAKERS, THE WOMAN CLOTHED WITH THE SUN

A splendid account, highly recommended to all readers interested in early American history, women’s studies, or the history...

An elegantly written life of the enigmatic and powerfully charismatic Shaker prophet.

The image most have of the people called Shakers is compounded of an aesthetic appreciation of their elegantly austere furniture, distinctive architecture, and the music of their dancing (as remade by Aaron Copland and others), along with a respect for the integrity of their experiment in communal living, and a puzzlement at the evident attraction of their celibate discipline. It’s a view drawn for the most part from the later-developed Shakerism of the 19th century, organized in small communities from Maine to Indiana. But the Shakerism that came to America in the days of the Revolution was quite a different thing, largely the creation of a blacksmith’s daughter named Ann Lee. Her remarkable achievement was to transform the enthusiastic Quakerism she had adopted in preindustrial Manchester into a strange and compelling vision of God’s new dispensation—a new Christianity—with herself joining Jesus at its center as a mediator of grace. Novelist Francis (Taking Apart the Poco Poco, 1995) provides a full (the first full biography ever written, in fact), faithful, and immensely enjoyable account of the vicissitudes of Mother Ann and her disciples as they take the Shaker gospel from upstate New York to New England, meeting resistance and escalating violence along the way. The religious landscape of backwoods New England—a roiling mix of orthodox Calvinists, Baptists, Seekers, Perfectionists, New Light revivalists, and others—is vividly rendered, as is the unique personality of Mother Ann herself. The wife of a blacksmith, Ann lost all four of her children in infancy. Putting her Shakers in the place of her lost children, and Jesus in her estranged husband’s stead, she created a remythologized Christianity that found a feminine dimension in the Godhead itself and replaced sexual ecstasy with dervish-like ecstatic dancing and speaking in tongues. Francis is sensitive to the psychosocial dynamics of Shaker leaders and followers alike, as well as to the small tragedies of broken lives and broken families that created both converts and violent enemies of the Shaker faith.

A splendid account, highly recommended to all readers interested in early American history, women’s studies, or the history of religion.

Pub Date: May 1, 2001

ISBN: 1-55970-562-0

Page Count: 400

Publisher: Arcade

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2001

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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THE DISTANCE BETWEEN US

A MEMOIR

A standout immigrant coming-of-age story.

In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.

Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”

A standout immigrant coming-of-age story.

Pub Date: Aug. 28, 2012

ISBN: 978-1-4516-6177-4

Page Count: 320

Publisher: Atria

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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