Active and entertaining, with a mid-20th-century feel.
Two rough and tough wannabe cowboys have some adventures while trying to avoid their sisters.
Their “horses” are actually bikes, but that doesn’t stop Slingshot and Burp from pursuing cowboy adventures out there in the dangerous Boneyard, after they get away from fire hydrants and mailboxes. Their buddy Big Jim, proprietor of the Boots and Saddle Tack Shop, informs them that there might be treasure in the scorpion-infested wilderness, but the terrible Ghost Cat also lurks in the area and might eat them alive! The two white boys bravely venture forth anyway, returning to find their bunkhouse taken over by their big sisters: there’s pink everywhere! After some jail time for shooting up their sisters’ dolls, the boys are back in action, back at odds with their sisters, and back in the wilderness. Haynes keeps the action zipping along with his boys, who adopt the cowboy lifestyle as much as their parents will allow. He plays with expectations; readers convinced that the adventures are all in the boys’ imaginations will reconsider after Burp finds a real scorpion in his boot. Gilpin’s lively line drawings add plenty of character to the book. The author doesn’t push morality or significantly attempt to subvert gender stereotypes, just penning a fun, vigorous adventure for his two hyperactive boys.
Active and entertaining, with a mid-20th-century feel. (Adventure. 6-9)Pub Date: Aug. 2, 2016
ISBN: 978-0-7636-7076-4
Page Count: 112
Publisher: Candlewick
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
BOOK REVIEW
BOOK REVIEW
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
BOOK REVIEW
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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