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DARK WING

The saga of the Pontowski clan from Firebreak (1991) and Call to Duty (1993) continues as Matt Pontowski becomes a player in a potential military conflict looming in the Far East. The factional People's Liberation Army in southern China, led by the ruthless Kang Xun, is wrestling for power with the central Chinese government and going after Hong Kong, the first conquest in a dream to control all of Asia. United States National Security Advisor Bob Carroll, eager to stop Kang right away, assembles a China Action Team of the brightest and best-connected in Washington, including Mazie Kamigami, the frumpy Asian specialist, and the preppy Wentworth Hazelton, who grudgingly joins as Mazie's assistant. The dark wing—the plane that emerges from the shadows to surprise the enemy—is found in Pontowski's 303rd Fighter Squadron, a Reserve squadron in Missouri whose ugly, slow, yet fatally precise A-10 Thunderbolt II planes (Warthogs) are in danger of becoming obsolete only to be rescued from the peace dividend because of their compatibility with AWACS, the airborne warning and command system the military would like to test in combat. The pilots of the 303rd resign from the Air Force to join the American Volunteer Group, becoming mercenaries for a dissident movement of the Zhuang people of southern China who are under the leadership of 28-year-old Zuo Rong. Zuo has arranged the release of American POW Victor Kamigami, Mazie's father, from the Vietnamese Army in the hopes of acquiring a general for his own army. The megalomaniacal, sexually deviant General Von Drexler is the head commander as these groups converge upon the southern Chinese theater. The characters are adroitly assembled as they fight in cities throughout southern China on land and in the air, creating such an engrossing tale of war that one is eager to read about the fate of the next generation of Pontowskis.

Pub Date: May 26, 1994

ISBN: 0-671-87306-7

Page Count: 416

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1994

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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