A tad rough around the edges but, visually, at least, a keeper.

RED ROVER

CURIOSITY ON MARS

A planet's-eye view of some recent visitors from Earth—one in particular.

In measured, deceptively solemn prose, the narrator (Mars itself, as eventually revealed) gets off to a shaky start, observing that the rover rolls on and on, making straight tracks that confusingly become a tangle on the next page. Things settle down thereafter: “It observes. Measures. Collects. It is always looking for water. Maybe it is thirsty.” Roy matches the tone with a set of broad, rugged, achingly remote-looking Mars-scapes that culminate in a wildly swirling dust storm followed by a huge double gatefold: “Everything is… / RED as far as the eye can see. But it is beautiful.” Curiosity itself she depicts with almost clinical precision (though its wheels look different from different angles), adding a schematic view at the end with select parts and instruments labeled. Following playful nods to other rovers along the way (Spirit and Opportunity “had a spirit of adventure and seized every opportunity to explore”), a substantial quantity of backmatter includes more information about each one—including the next one up, Mars 2020—as well as about the fourth planet itself. For audience appeal it’s hard to beat Markus Motum’s cheerfully anthropomorphic Curiosity: The Story of a Mars Rover (2018), but the art here, in adding a certain grandeur and mystery to the red planet, has an appeal of its own.

A tad rough around the edges but, visually, at least, a keeper. (bibliography) (Informational picture book. 7-9)

Pub Date: Oct. 29, 2019

ISBN: 978-1-250-19833-4

Page Count: 44

Publisher: Roaring Brook Press

Review Posted Online: June 16, 2019

Kirkus Reviews Issue: July 1, 2019

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Tantalizing glimpses of hidden natural treasures, with breathtaking art.

CAVES

An invitation to share some of the world’s speleological wonders.

Lit by the flashlights of small visitors, huge, rugged, shadowy spaces beckon in Chock’s powerfully atmospheric illustrations as Beckerman’s accompanying mix of free-verse commentary and blocks of explanations in smaller type turn general impressions into specific sites and sights. Among the latter are the dazzling tangle of giant selenite crystals in Mexico’s Cueva de los Cristales, ancient cave paintings at Lascaux in France, an immense underwater cave system in Florida, and (for truly courageous adventurers) the “silently squirming ceiling” of glowworms in New Zealand’s Waitomo Caves. The author also pays particular tribute to the group of women who ventured into the constricted reaches (judged too narrow for men) of South Africa’s Rising Star cave system to uncover fossils of a new prehistoric cousin, Homo naledi. All around the world caves are waiting “for / wondering, / wandering / explorers / like you,” she concludes. “Do you dare?” For those who might, the book closes with lists of safety rules and recommended caving gear. Tiny spelunkers in the art are nearly all bundled up and facing away from viewers, but some at least are plainly children, and an observation that the floors of some lava tubes in Australia are flat enough for wheelchairs makes Beckerman’s invitation even more inclusive. (This book was reviewed digitally.)

Tantalizing glimpses of hidden natural treasures, with breathtaking art. (cave facts, author’s and illustrator’s notes, photos) (Informational picture book. 7-9)

Pub Date: Oct. 4, 2022

ISBN: 978-1-338-72662-6

Page Count: 40

Publisher: Orchard/Scholastic

Review Posted Online: July 27, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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Together with its companions, too rushed to be first introductions but suitable as second ones.

MARIE CURIE AND RADIOACTIVITY

From the Graphic Science Biographies series

A highlights reel of the great scientist’s life and achievements, from clandestine early schooling to the founding of Warsaw’s Radium Institute.

In big sequential panels Bayarri dashes through Curie’s career, barely pausing at significant moments (“Mother! A letter just arrived. It’s from Sweden,” announces young Irène. “Oh, really?…They’re awarding me another Nobel!”) in a seeming rush to cover her youth, family life, discoveries, World War I work, and later achievements (with only a closing timeline noting her death, of “aplastic anemia”). Button-eyed but recognizable figures in the panels pour out lecture-ish dialogue. This is well stocked with names and scientific terms but offered with little or no context—characteristics shared by co-published profiles on Albert Einstein and the Theory of Relativity (“You and your thought experiments, Albert!” “We love it! The other day, Schrödinger thought up one about a cat”), Charles Darwin and the Theory of Evolution, and Isaac Newton and the Laws of Motion. Dark-skinned Tierra del Fuegans make appearances in Darwin, prompting the young naturalist to express his strong anti-slavery views; otherwise the cast is white throughout the series. Engagingly informal as the art and general tone of the narratives are, the books will likely find younger readers struggling to keep up, but kids already exposed to the names and at least some of the concepts will find these imports, translated from the Basque, helpful if, at times, dry overviews.

Together with its companions, too rushed to be first introductions but suitable as second ones. (glossary, index, resource list) (Graphic biography. 7-9)

Pub Date: Jan. 1, 2020

ISBN: 978-1-5415-7821-0

Page Count: 40

Publisher: Graphic Universe

Review Posted Online: Oct. 9, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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