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SONS OF SUICIDE

A MEMOIR OF FRIENDSHIP

Insightful and moving conversations about suicide and grief.

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Four men who lost parents to suicide strengthen their bonds of friendship in this memoir.

In this candid look at suicide—which, according to the Centers for Disease Control, is the 10th leading cause of death in the United States—debut author Knapp and Pincus (Reel Baseball, 2003) focus on the emotional aftermath for those who are left behind. In 1966, the authors met during their senior year in a Maryland high school and, much to their surprise, soon found out their lives shared a striking similarity—their mothers had both killed themselves a few years earlier. Over time, the two young men began to have heart-to-heart conversations about their grief. As the years progressed, they discovered they had two other friends, Tom and Dennis, affected by the suicide of a parent. Sometimes deep and sometimes chatty, this heartfelt memoir begins with conversations between Knapp and Pincus. Later, the work includes email exchanges involving all four friends. Bouncing between different time periods and settings—high school in 1966, a bench beside a Cleveland Jewish synagogue in the mid-’90s, a baseball road trip in 1999, a popular Chicago restaurant in 2009—the book realistically portrays these four baby boomers and self-described “sons of suicide” as they grappled with difficult questions, such as whether or not forgiveness for the act is truly possible. Pincus wondered whether his mother thought about him moments before she killed herself. Though the topic is dark, the tone is upbeat—with some joking between old friends—as the men discuss how fortunate they are to currently have wonderful families and friendships. The authors’ language is sometimes memorably expressive. For example, when recalling his mother’s death, Knapp notes: “Some images are etched deep in the mind with acid so caustic that they are always there, deeply imbedded yet near the surface at the same time.” Seeking answers but not pretending to have them, this cleareyed account—a potential comfort to others who have suffered similar losses—can also help educate the public about suicide prevention.

Insightful and moving conversations about suicide and grief.

Pub Date: April 9, 2019

ISBN: 978-1-73382-870-3

Page Count: 280

Publisher: Bowker

Review Posted Online: Sept. 12, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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