One of horror’s most singular characters goes to hell. And back again. As per usual.
Sandman Slim returns to hell. Again. Must be Tuesday.
The prolific Kadrey has been riffing off his comedic thief Charlie Cooper for his last couple of books (The Wrong Dead Guy, 2017, etc.), so it’s time to get back to business with James Stark, aka Sandman Slim, the half-angel assassin who anchors his inventive horror saga. Only, whoops, Stark’s dead, murdered by Audsley Ishii right in front of his girlfriend, Candy, back in The Perdition Score (2016). Fortunately for him, Stark has been here in the Tenebrae, a subset of hell, before, like that one time he had to be Lucifer for a while. Back story aside, Stark finds himself in a Mad Max–style desert apocalypse populated by a roving band of followers of a powerful rebel called the Magistrate. “I know a killer when I see one and he’s one cold Charlie Starkweather motherfucker,” says Stark in assessing the Magistrate. Not that the infamous Slim outs himself, instead going by the moniker ZaSu Pitts. Buoyed by a familiar face in Father Traven, the man who eats sins, Stark reluctantly joins the gang. It turns out that the Magistrate seeks to unite a powerful cannon with the Lux Occisor, God’s own sword, to blow the gates off heaven itself. Like any good ensemble drama, there are plenty of cool cameos, including the return of Cherry Moon, who used her power to transform herself into a manic pixie manga girl, Stark’s old girlfriend Alice (now a powerful angel), and a touching reunion with Stark’s buddy Death himself. If you’re a newbie to the series, you’ve probably realized by now that starting nine books into it is probably not a great jumping-on point. For fans of Kadrey’s profane assassin, it’s a welcome return to form and a wildly entertaining bridge to bring Stark back from the brink.
One of horror’s most singular characters goes to hell. And back again. As per usual.Pub Date: June 6, 2017
ISBN: 978-0-06-247414-8
Page Count: 416
Publisher: Harper Voyager
Review Posted Online: May 1, 2017
Kirkus Reviews Issue: May 15, 2017
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
At Buckkeep in the Six Duchies, young Fitz, the bastard son of Prince Chivalry, is raised as a stablehand by old warrior Burrich. But when Chivalry dies without legitimate issue—murdered, it's rumored—Fitz, at the orders of King Shrewd, is brought into the palace and trained in the knightly and courtly arts. Meanwhile, secretly at night, he receives instruction from another bastard, Chade, in the assassin's craft. Now, King Shrewd's subjects are imperiled by the visits of the Red-Ship Raiders—formidable warriors who pillage the seacoasts and turn their human victims into vicious, destructive zombies. Since rehabilitating the zombies proves impossible, it's Fitz's task to go abroad covertly and kill them as quickly and humanely as possible. Shrewd orders that Fitz be taught the Skill—mental powers of telepathy and coercion possessed by all those of the royal line; his teacher is Galen, a sadistic ally of the popinjay Prince Regal, who hates Fitz all the more for his loyalty to Shrewd's other son, the stalwart soldier Verity. Galen brutalizes Fitz and, unknown to anyone, implants a mental block that prevents Fitz from using the Skill. Later, Shrewd decrees that, to cement an alliance, Verity shall wed the Princess Kettricken, heir to a remote yet rich mountain kingdom. Verity, occupied with Skillfully keeping the Red-Ship Raiders at bay, can't go to collect his bride, so Regal and Fitz are sent. Finally, Fitz must discover the depths of Regal's perfidy, recapture his true Skill, win Kettricken's heart for Verity, and help Verity defeat the Raiders. An intriguing, controlled, and remarkably assured debut, at once satisfyingly self-contained yet leaving plenty of scope for future extensions and embellishments.
Pub Date: April 17, 1995
ISBN: 0-553-37445-1
Page Count: 368
Publisher: Spectra/Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
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