A goofy, flamboyant, and breathless horror adventure by one of the genre’s sharpest creators.

THE WRONG DEAD GUY

Supernatural agent “Coop” Cooper returns in an overstuffed, hyperkinetic sequel to The Everything Box (2016).

To recap, inveterate thief Coop is a fast-talking criminal making his way through a supernatural substratum of society. Last time around, he saved the world and has now reluctantly been seconded to the Department of Peculiar Science, a Los Angeles–based task force that deals with all things spooky. “I don’t want a desk,” Coop protests. “I’m a crook. Crooks don’t have desks. We have tools and cars and six ways out of town.” The gang’s all here, including Coop’s partner in crime Morty Ramsey, fellow agents Bayliss and Giselle, and a new addition: Dr. Lupinsky, an Egyptologist who got mixed up in some bad juju and is now a half-cat, half cybernetic octopus, as happens sometimes. There’s not much to the plot, carried along as it is by Kadrey’s manic dialogue, phantasmagorical imagery, and the occasional dirty joke, but it’s plenty for fans of this strain of comic horror. Coop’s boss, Woolrich, orders his team on a new mission: “A simple theft. A local museum has a mummy on display. We’d like to have it instead of them.” What sounds like a simple heist quickly becomes mortal danger when they accidentally awaken Harkhuf, an evil mummy imbued with dark magic, which is totally the worst kind of magic, apparently. Harkhuf seeks a powerful amulet and an ancient book to resurrect his queen, Shemetet. (Yes, this is pretty much the plot of the Brendan Fraser movie; it’s a book that name-checks Bubba Ho-Tep, so just go with it.) Other figures in this cavalcade include an undead mailroom manager plotting revenge; a car salesman given to dressing like the Electric Cowboy; and a cop named Jim Rockford, no less. Readers who appreciate restraint may find this cartoonish adventure overwhelming, but those who want a Quentin Tarantino joint crafted with the juvenile humor of Christopher Moore will find themselves in good company.

A goofy, flamboyant, and breathless horror adventure by one of the genre’s sharpest creators.

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-238957-2

Page Count: 448

Publisher: Harper Voyager

Review Posted Online: Dec. 7, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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Real events like the Vietnam draft and Stonewall uprising enter the characters' family history as well as a stunning plot...

THE RULES OF MAGIC

The Owens sisters are back—not in their previous guise as elderly aunties casting spells in Hoffman’s occult romance Practical Magic (1995), but as fledgling witches in the New York City captured in Patti Smith's memoir Just Kids.

In that magical, mystical milieu, Franny and Bridget are joined by a new character: their foxy younger brother, Vincent, whose “unearthly” charm sends grown women in search of love potions. Heading into the summer of 1960, the three Owens siblings are ever more conscious of their family's quirkiness—and not just the incidents of levitation and gift for reading each other's thoughts while traipsing home to their parents' funky Manhattan town house. The instant Franny turns 17, they are all shipped off to spend the summer with their mother's aunt in Massachusetts. Isabelle Owens might enlist them for esoteric projects like making black soap or picking herbs to cure a neighbor's jealousy, but she at least offers respite from their fretful mother's strict rules against going shoeless, bringing home stray birds, wandering into Greenwich Village, or falling in love. In short order, the siblings meet a know-it-all Boston cousin, April, who brings them up to speed on the curse set in motion by their Salem-witch ancestor, Maria Owens. It spells certain death for males who attempt to woo an Owens woman. Naturally this knowledge does not deter the current generation from circumventing the rule—Bridget most passionately, Franny most rationally, and Vincent most recklessly (believing his gender may protect him). In time, the sisters ignore their mother's plea and move to Greenwich Village, setting up an apothecary, while their rock-star brother, who glimpsed his future in Isabelle’s nifty three-way mirror, breaks hearts like there's no tomorrow. No one's more confident or entertaining than Hoffman at putting across characters willing to tempt fate for true love.

Real events like the Vietnam draft and Stonewall uprising enter the characters' family history as well as a stunning plot twist—delivering everything fans of a much-loved book could hope for in a prequel.

Pub Date: Oct. 10, 2017

ISBN: 978-1-5011-3747-1

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: Aug. 6, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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NINTH HOUSE

Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

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