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MADBOY

MY JOURNEY FROM ADBOY TO ADMAN

Kirshenbaum submits a vibrant, educational look at his days as creative director of his New York City advertising company.

“Advertising people by nature tend to be quirky, fun, and loquacious,” which may only be half true, but the author certainly fits snuggly into that camp. He rose in the industry during the 1980s and cut a broad swath as an unconventional, inventive adman, tackling everything from Reynolds Wrap to cognac. In this jaunty memoir, he starts with a little familial background material before moving on to tales from the trade: encounters with the rich and famous and, better yet, the not-so rich and hardly famous; the crazy shoots; the whole milieu of high-stakes advertising. Yet there is plenty of hard business information in these pages, for Kirshenbaum appreciates discipline, old-school politesse and plain hard work. Much of his wisdom is reduced to aphorisms, and he knows the power of laughter as a business model as well as the fact “that unless you have a killer strategy, you might go down the wrong path creatively.” What stands out in particular is the author’s ability to convey the exigent art of the creative process at work. His outlook is part liberal and socially conscious—he came up with the Kenneth Cole campaign that featured characters du jour: Imelda Marcos and her 2,700 shoes, Dan Quayle and Oliver North (“Isn’t it time America focused less on arms and more on feet?”). Kirshenbaum’s bracing, often ribald humor carries right through the page and onto the sidewalk, where he stenciled such ads as that for Bamboo Lingerie: “From here it looks like you could use some new underwear.” A shimmering piece of work, in which the flash illuminates the creative act.

 

Pub Date: Sept. 20, 2011

ISBN: 978-1-4532-1144-1

Page Count: 224

Publisher: Open Road Integrated Media

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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