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MISSION ON THE HO CHI MINH TRAIL

NATURE, MYTH, AND WAR IN VIET NAM

Joseph Campbell meets the North Vietnamese Army in this ambitious but flawed Vietnam war memoir, in which the author interprets his behind-the-lines operations as a ``mythic hero- journey.'' Stevens (History/Univ. of Hawaii) spent three years in Vietnam, first as a Marine corporal and then as a civilian State Department adviser. While there, he took extensive notes, which along with some archival research form the basis for this fast- flowing book that recreates a series of reconnaissance operations in early 1970 in which Stevens took part. His evocations of these tense, physically punishing journeys inside enemy territory are unique among the hundreds of veteran-penned Vietnam war memoirs. That's because Stevens is not content merely to chronicle his adventures in descriptive prose. Instead, he employs a mixture of dialogue-heavy and metaphor-dense writing in an attempt to elevate his wartime missions into a meditation on the Greater Meaning of It All. ``We're deep in the jungle and outside the law,'' Stevens observes in a typically ruminating passage. ``Our journey is within, too, and back into time. Where will it lead? What will we find?'' This particular journey and those that follow lead to tension-filled days and nights on and near the Ho Chi Minh Trail. They also lead, unfortunately, to a hefty amount of breathless, repetitive, pretentious writing in which Stevens muddies up his narrative with fuzzy literary references. On one page alone the author compares himself and his compatriot to ``Tom and Huck'' and a helicopter ride to ``The Escape of Prometheus,'' makes reference to two Hindu gods, and quotes Walt Whitman. In the words of Carl Jung (as conveyed by the author), this book proves that man ``never perceives anything fully or comprehends anything completely.'' (10 photos, 1 drawing, 3 maps, not seen)

Pub Date: Nov. 1, 1995

ISBN: 0-8061-2768-6

Page Count: 288

Publisher: Univ. of Oklahoma

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1995

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WHO STOLE THE AMERICAN DREAM?

Not flawless, but one of the best recent analyses of the contemporary woes of American economics and politics.

Remarkably comprehensive and coherent analysis of and prescriptions for America’s contemporary economic malaise by Pulitzer Prize–winning journalist Smith (Rethinking America, 1995, etc.).

“Over the past three decades,” writes the author, “we have become Two Americas.” We have arrived at a new Gilded Age, where “gross inequality of income and wealth” have become endemic. Such inequality is not simply the result of “impersonal and irresistible market forces,” but of quite deliberate corporate strategies and the public policies that enabled them. Smith sets out on a mission to trace the history of these strategies and policies, which transformed America from a roughly fair society to its current status as a plutocracy. He leaves few stones unturned. CEO culture has moved since the 1970s from a concern for the general well-being of society, including employees, to the single-minded pursuit of personal enrichment and short-term increases in stock prices. During much of the ’70s, CEO pay was roughly 40 times a worker’s pay; today that number is 367. Whether it be through outsourcing and factory closings, corporate reneging on once-promised contributions to employee health and retirement funds, the deregulation of Wall Street and the financial markets, a tax code which favors overwhelmingly the interests of corporate heads and the superrich—all of which Smith examines in fascinating detail—the American middle class has been left floundering. For its part, government has simply become an enabler and partner of the rich, as the rich have turned wealth into political influence and rigid conservative opposition has created the politics of gridlock. What, then, is to be done? Here, Smith’s brilliant analyses turn tepid, as he advocates for “a peaceful political revolution at the grassroots” to realign the priorities of government and the economy but offers only the vaguest of clues as to how this might occur.

Not flawless, but one of the best recent analyses of the contemporary woes of American economics and politics.

Pub Date: Sept. 11, 2012

ISBN: 978-1-4000-6966-8

Page Count: 576

Publisher: Random House

Review Posted Online: July 16, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THE WAY I HEARD IT

Never especially challenging or provocative but pleasant enough light reading.

Former Dirty Jobs star Rowe serves up a few dozen brief human-interest stories.

Building on his popular podcast, the author “tells some true stories you probably don’t know, about some famous people you probably do.” Some of those stories, he allows, have been subject to correction, just as on his TV show he was “corrected on windmills and oil derricks, coal mines and construction sites, frack tanks, pig farms, slime lines, and lumber mills.” Still, it’s clear that he takes pains to get things right even if he’s not above a few too-obvious groaners, writing about erections (of skyscrapers, that is, and, less elegantly, of pigs) here and Joan Rivers (“the Bonnie Parker of comedy”) there, working the likes of Bob Dylan, William Randolph Hearst, and John Wayne into the discourse. The most charming pieces play on Rowe’s own foibles. In one, he writes of having taken a soft job as a “caretaker”—in quotes—of a country estate with few clear lines of responsibility save, as he reveals, humoring the resident ghost. As the author notes on his website, being a TV host gave him great skills in “talking for long periods without saying anything of substance,” and some of his stories are more filler than compelling narrative. In others, though, he digs deeper, as when he writes of Jason Everman, a rock guitarist who walked away from two spectacularly successful bands (Nirvana and Soundgarden) in order to serve as a special forces operative: “If you thought that Pete Best blew his chance with the Beatles, consider this: the first band Jason bungled sold 30 million records in a single year.” Speaking of rock stars, Rowe does a good job with the oft-repeated matter of Charlie Manson’s brief career as a songwriter: “No one can say if having his song stolen by the Beach Boys pushed Charlie over the edge,” writes the author, but it can’t have helped.

Never especially challenging or provocative but pleasant enough light reading.

Pub Date: Oct. 15, 2019

ISBN: 978-1-982130-85-5

Page Count: 224

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Aug. 17, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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