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THE MIRACLE OF LANGUAGE

New England schoolmaster, columnist, and bestselling author Lederer (Crazy English, 1989) offers an enthusiastic new assemblage in tribute to language generally and the English kind in particular. Sounding in turn like D'Israeli the Elder on curiosities of literature, William Targ on bibliomania, H.L. Mencken on words, or William Lutz on doublespeak, Lederer compiles a scrapbook that preaches, naturally, to those who are devoted to the wonder of words aggregated. There are tributes to heroes of our tongue: Shakespeare, Johnson (with incursions by Bierce and other witty lexicographers), Lewis Carroll, Mark Twain, Emily Dickinson, T.S. Eliot, and George Orwell. In terms of one syllable, Lederer proves the power of short words. They can, he says, ``make a straight point between two minds,'' which seems a little hard to do, but you get the line. English isn't perfect, however: It's sexist (queens do not rule queendoms), lacks certain utilitarian words (what will we call the decade that will follow the Nineties?), and lends itself to redundant repetition, too, as Lederer cheerfully illustrates and shows. He likes libraries and letter-writing (citing St. Paul as a great correspondent). There's even a lesson in versification and examples of favored writing from his prep- school students. The text concludes with a few hundred pithy comments on words by practitioners from Aristophanes to Wittgenstein. A golly-gee skimming of the manifest wonders of ``the most glorious of all human inventions,'' not deep but easygoing enough to satisfy Lederer's legion of fans.

Pub Date: Nov. 1, 1991

ISBN: 0-671-70939-9

Page Count: 256

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1991

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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