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PERFECTLY REASONABLE DEVIATIONS FROM THE BEATEN TRACK

THE LETTERS OF RICHARD P. FEYNMAN

That gleam shines throughout here.

Just when you thought the fount of Feymaniana had run dry comes this splendid collection of letters assembled and introduced by adopted daughter Michelle.

It starts with achingly heartbreaking letters to his first wife, Arline, who would die of tuberculosis in a sanitarium in Albuquerque while Richard worked on the Manhattan Project at Los Alamos. Included is a letter he addressed to her after her death, which Michelle notes “is well worn—much more than others . . . as though he reread it often.” The letters are emblematic of the passion Feynman brought to his life and work and expressed in crystal-clear prose—in his lectures, his texts, his popular writing and in these letters to the world: colleagues, family, institutions, fans, worried parents, eager high-schoolers and the occasional crank. Over and over again, he tells kids to study what they love, tells their parents not to worry, patiently explains errors to would-be solvers of physics problems or coiners of new theories. Over and over again, Feynman reveals an integrity that led him to refuse any honorary degree, decline invitations to Russia as long as restrictions were imposed, decline signing petitions in the absence of what he saw was necessary evidence. Similarly, he often confessed his ignorance of the arts and refused to be drawn into discussions of art and science (but did comment on religion). The letters move chronologically through his settling down at Caltech, marriage to Gweneth, the Englishwoman he hired as a housekeeper, the Nobel in 1965, and the decades following, including, two years before his death from cancer, his pivotal role in demonstrating that faulty O-rings caused the Challenger disaster. Feynman’s article on what was wrong with the “New Math” and some neat popular articles are in the appendices, along with a quote in which Feynman describes his elation at discovering a new law of physics: “There was a moment when I knew how nature worked. It had elegance and beauty. The goddamn thing was gleaming.”

That gleam shines throughout here.

Pub Date: April 12, 2005

ISBN: 0-7382-0636-9

Page Count: 512

Publisher: Basic Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2005

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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LIVES OTHER THAN MY OWN

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...

The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.

Pub Date: Sept. 13, 2011

ISBN: 978-0-8050-9261-5

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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