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AMANDA/MIRANDA

Peck has unearthed one of the hoariest of chimney-corner romantic devices—the wobbly course of love and intrigue when two young things of diverse origins and temperament look exactly alike and cross destinies; and he displays it here in late-Edwardian satin, with agile prose and a straight face. Amanda, witchy and beautiful daughter of Lady Eleanor and Sir Timothy Whitwell of the Isle of Wight and London, has been born to command. . . while her look-alike, poor Mary Cooke (renamed Miranda), has been trained, in a hard-scrabble childhood, to serve. Thus, when Amanda begins thrashing with passion for chauffeur John Thorne, she snares Miranda for her personal maid and plots to marry her to Thorne. The plan succeeds—and Amanda, three months pregnant with Thorne's child, then accepts the proposal of nice idealistic American Gregory Forrest. The wedding is to be in New York, and with Thorne and Miranda attending the bridal couple in America, Amanda can carry on her affair with Thorne with Miranda as a visual cover. (Anyone would assume the woman in his arms to be wife Miranda.) So off go the two women to America—on the Titanic, of course—and in the midst of mid-Atlantic disaster, Miranda (though bitter about her mistress' nasty doings) tries to save Amanda. . . who dies in the cabin of a shipboard lover. (Thorne will take another liner.) Miranda is just barely rescued, badly injured about the face, and—what else? She drifts into the role of Amanda, marries an initially-fooled Gregory (Thorne visits, penetrates the disguise, but takes a decent farewell), has two children with her loving husband, and (very sweetly and quietly) has the soft last laugh. Throughout, there are subplot and character diversions aplenty: a dark ghostly matter involving the Whitwell's "dead" son; the bright pan-banging gossip of servants; the mayfly nuptial dance of a straggly housemaid. And the proceedings are always accompanied by parades of viands and sumptuous living. All in all, a gorgeously romantic, implausible affair comfy as eiderdown.

Pub Date: March 11, 1980

ISBN: 0141312173

Page Count: 178

Publisher: Viking

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: March 1, 1980

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THE GODS WILL SING OUR SONG

A beautiful, magic-infused love story that doesn’t shy away from harsh realities.

Two Japanese American 17-year-olds find one another in an internment camp as they try to piece their lives back together.

It’s 1942. Ren Hamada has a bad reputation, but he works to help support his alcoholic mother and unwed pregnant sister. The only thing his absent father has ever given him is a small wooden carving of a sacred fox. Violet Aratani has loving parents who own a print shop, and she dreams of studying art in college next year. Then her father is arrested by the FBI, accused of being a community organizer. Before he’s taken away, Otōsan slips Violet an old family heirloom—a small figurine of a deer from Nara. With World War II raging on, the two families are taken to the Manzanar relocation center in the California desert, where the magical relics draw Ren and Violet together. The magic also helps them see the fallen god who lives among them—and who could destroy them all. Freeing him would earn them divine favor, but they struggle amid rising tensions and the camp’s inadequate living conditions. Informed by the author’s family’s experiences, this is a fascinating blend of history, romance, and Japanese mythology. Krause accurately depicts the injustices and hardships experienced by Japanese Americans. Despite some heavy, bleak themes, the story captures the ways people sought joy, love, and happiness even in harsh circumstances.

A beautiful, magic-infused love story that doesn’t shy away from harsh realities. (map, author’s note, photos, discussion questions) (Historical fantasy romance. 12-18)

Pub Date: Sept. 1, 2026

ISBN: 9798217027668

Page Count: 432

Publisher: Delacorte

Review Posted Online: June 1, 2026

Kirkus Reviews Issue: July 1, 2026

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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