AMANDA/MIRANDA

Peck has unearthed one of the hoariest of chimney-corner romantic devices—the wobbly course of love and intrigue when two young things of diverse origins and temperament look exactly alike and cross destinies; and he displays it here in late-Edwardian satin, with agile prose and a straight face. Amanda, witchy and beautiful daughter of Lady Eleanor and Sir Timothy Whitwell of the Isle of Wight and London, has been born to command. . . while her look-alike, poor Mary Cooke (renamed Miranda), has been trained, in a hard-scrabble childhood, to serve. Thus, when Amanda begins thrashing with passion for chauffeur John Thorne, she snares Miranda for her personal maid and plots to marry her to Thorne. The plan succeeds—and Amanda, three months pregnant with Thorne's child, then accepts the proposal of nice idealistic American Gregory Forrest. The wedding is to be in New York, and with Thorne and Miranda attending the bridal couple in America, Amanda can carry on her affair with Thorne with Miranda as a visual cover. (Anyone would assume the woman in his arms to be wife Miranda.) So off go the two women to America—on the Titanic, of course—and in the midst of mid-Atlantic disaster, Miranda (though bitter about her mistress' nasty doings) tries to save Amanda. . . who dies in the cabin of a shipboard lover. (Thorne will take another liner.) Miranda is just barely rescued, badly injured about the face, and—what else? She drifts into the role of Amanda, marries an initially-fooled Gregory (Thorne visits, penetrates the disguise, but takes a decent farewell), has two children with her loving husband, and (very sweetly and quietly) has the soft last laugh. Throughout, there are subplot and character diversions aplenty: a dark ghostly matter involving the Whitwell's "dead" son; the bright pan-banging gossip of servants; the mayfly nuptial dance of a straggly housemaid. And the proceedings are always accompanied by parades of viands and sumptuous living. All in all, a gorgeously romantic, implausible affair comfy as eiderdown.

Pub Date: March 11, 1980

ISBN: 0141312173

Page Count: 178

Publisher: Viking

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: March 1, 1980

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A love letter to fans who will forgive (and even revel in) its excesses and indulgences.

MIDNIGHT SUN

From the Twilight series , Vol. 5

A long-awaited Twilight (2005) companion novel told from vampire Edward’s point of view.

Edward Cullen, a 104-year-old vampire (and eternal 17-year-old), finds his world turned upside down when new girl Bella Swan’s addictive scent drives a primal hunger, launching the classic story of vampire-meets-girl, vampire-wants-to-eat-girl, vampire-falls-in-love-with-girl. Edward’s broody inner monologue allows readers to follow every beat of his falling in love. The glacial pace and already familiar plot points mean that instead of surprise twists, characterization reigns. Meyer doesn’t shy away from making Edward far less sympathetic than Bella’s view of him (and his mind reading confirms that Bella’s view of him isn’t universal). Bella benefits from being seen without the curtain of self-deprecation from the original book, as Edward analyzes her every action for clues to her personality. The deeper, richer characterization of the leads comes at the expense of the secondary cast, who (with a few exceptions) alternate primarily along gender lines, between dimwitted buffoons and jealous mean girls. Once the vampiric threat from James’ storyline kicks off, vampire maneuvering and strategizing show off the interplay of the Cullens’ powers in a fresh way. After the action of the climax starts in earnest, though, it leans more into summary and monologue to get to the well-known ending. Aside from the Quileutes and the occasional background character, the cast defaults to White.

A love letter to fans who will forgive (and even revel in) its excesses and indulgences. (Paranormal romance. 12-adult)

Pub Date: Aug. 4, 2020

ISBN: 978-0-316-70704-6

Page Count: 672

Publisher: Little, Brown

Review Posted Online: Aug. 8, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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Star-crossed lovers carve their own paths in an explosive conclusion that lives up to its title.

OUR VIOLENT ENDS

From the These Violent Delights series , Vol. 2

New monsters terrorize Shanghai amid political upheaval and the reignition of the blood feud between the Chinese Scarlet Gang and the Russian White Flowers.

The death of Marshall Seo unleashed a new wave of violence, but when a mysterious figure wielding control over more deadly-insect–releasing monsters begins extorting money from both gangs, their leaders agree to temporarily cooperate in the interests of eliminating a mutual foe. They order their respective heirs to find the blackmailer, and so, once again, Roma Montagov and Juliette Cai must work together for the benefit of those under their protection. But their feelings for each other—complicated by hidden truths, lingering love, and unforgiving duty—prove difficult to repress. Meanwhile, the time of revolution draws near: Workers continue to organize protests decrying both foreign occupation and gangster rule as the Nationalist Army marches toward Shanghai in its campaign to unite and reclaim the country. Secrets abound and loyalties are tested in this tightly plotted sequel featuring a multinational cast and told through multiple third-person perspectives, including those of supporting characters introduced in These Violent Delights (2020). Stubborn Rosalind, obliging Kathleen, and grief-stricken Benedikt all return to play vital roles that blend seamlessly into Roma’s and Juliette’s storylines as they each are forced to consider what it is they truly want and the lengths they will go to protect it.

Star-crossed lovers carve their own paths in an explosive conclusion that lives up to its title. (Historical fantasy. 13-18)

Pub Date: Nov. 16, 2021

ISBN: 978-1-534-45772-0

Page Count: 512

Publisher: McElderry

Review Posted Online: Sept. 18, 2021

Kirkus Reviews Issue: Oct. 1, 2021

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