Not once, but three different times, Brian Bishop finds himself staring into the "Awful Face of Death." Brian's stunned reactions to the suddenness of death and the ultimate incomprehensibility of a corpse are in stark counterpoint to his other memories of his thirteenth summer. He and his friend Flip subsist largely on sly adolescent wit — chuckling over the inept efforts of English teacher Mabel Klimer to introduce them to POETRY, Brian's mother's fondness for Bacharach, and the frumpish gentility of an old local history book produced by one Estella Winlder Bates; they also fantasize together about their hero, the YMCA swimming teacher whom they nickname Ralph The Free. After the two boys find the body of an old tramp in the woods Flip, who lives up to his name and has a cruel streak besides, encourages Brian in another illusion: perhaps the pathetic fat boy Elvan, who has been trying to interest them in his collection of Nazi souvenirs, knows something more about the tramp's death? Their efforts to build their discovery into a full-scale mystery eventually leads to a real tragedy — a startlingly convincing freak accident which sets the seal to Brian's chronicle of innocence remembered and lost. Less convincing, however, is the implication that Flip is actually responsible for what happens to Elvan. This assignment of guilt by hindsight adds an unsettling dimension to an otherwise finely tuned shocker. Though the fraternal naivete of boarding school life in another generation has been replaced with a kind of wry public school prescience, this ambiguous mixture of nostalgia and guilt is invariably reminiscent of a Separate Peace. The message is somewhat less than meets the eye, but for boys at a certain stage of growing up, Dreamland Lake projects a firm reality.
Pub Date: Aug. 6, 1973
ISBN: 0141308125
Page Count: 147
Publisher: Holt Rinehart & Winston
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Aug. 1, 1973
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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