CONVENTION

Reeves, with an assist from a team of strategically deployed spectacle-watchers, gets right into the raucous spirit of the Democrats' extravaganza at Madison Square Garden, picking up on everyone from Chairman Robert Strauss to 17-year-old Clare Smith, official youngest delegate, to Annie the whore who fell short of her $800 per diem expectations. It's a frenzied, hysterical circus with hundreds of private campaigns going on even as the delegates prepare to nominate the peanut farmer. Reporting on all the carefully-rigged media spontaneity, Reeves doesn't miss a beat: from the NYPD bomb-sniffing labrador, to Tom Hayden the California delegate and Tom Hayden ("the real Tom Hayden") who set up the telephone communications system, Reeves leapfrogs from podium to massage parlor to hotel suites. He will tell you all about Carter's "private section," which Reeves claims contained a little "espionage room"—the better to bug the communications systems of the other candidates. L.A. lost out on the Convention because, well, "The Democrats were convinced that the governor of California was crazy" and the word was out to keep him from the podium at all costs. The Svengali of the proceedings is Strauss who had, early on, perceived that his party required "sedation" to avoid the cantankerous divisiveness that led to flubbing it in '68 and '72. Amid the barrage of overheard, overheated conversations, many of which won't bear repeating in polite society, Reeves has time to wonder if Carter, with his ritual laying on of hands, represents some new kind of political force, if Strauss' convention—stage-managed to contain the "weirdos"—bespeaks a day when candidates and Presidents may lead via primitive symbolism. . . . Anyone who didn't get tickets for the fabulous floor show can be there via this vastly entertaining, adrenalin-rush of a book.

Pub Date: March 1, 1977

ISBN: 0151225826

Page Count: 276

Publisher: Harcourt Brace Jovanovich

Review Posted Online: Oct. 12, 2011

Kirkus Reviews Issue: March 1, 1977

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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