The kind of writing that leaves you feeling much smarter than a mere mortal.
Eleventh in the Western series featuring legendary mountain man Barnaby Skye, by the glorious Wheeler, who has published over 30 richly researched regional novels. As a westerner, Wheeler is a writer’s writer whose prose has the authority of handset type but sparkles like horseshoes on flint rock. In Dark Passage (1998), we saw the aging Skye’s trapping days in the Rockies coming to a close and his heading into Canada to recover his Crow wife Victoria (Mary Quill Woman). Now, as in Rendezvous (1997), Wheeler fills in Skye’s early days and flight west after he deserted from a Royal Navy frigate. Skye’s still wanted by the Navy, and in Mexican California finds himself hiding out in the wilderness, fighting off endless enemies, and sucking life out of leather.
The kind of writing that leaves you feeling much smarter than a mere mortal.Pub Date: Dec. 1, 2000
ISBN: 0-312-87310-7
Page Count: 320
Publisher: Forge
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 2000
A big old banana split of a book, surely the cure for what ails you.
Someone told Vivian Morris in her youth that she would never be an interesting person. Good thing they didn't put money on it.
The delightful narrator of Gilbert's (Big Magic, 2015, etc.) fourth novel begins the story of her life in the summer of 1940. At 19, she has just been sent home from Vassar. "I cannot fully recall what I'd been doing with my time during those many hours that I ought to have spent in class, but—knowing me—I suppose I was terribly preoccupied with my appearance." Vivian is very pretty, and she is a talented seamstress, but other than that, she is a silly, naïve girl who doesn't know anything about anything. That phase of her life comes to a swift end when her parents send her to Manhattan to live with her Aunt Peg. Peg is the proprietor of the Lily Playhouse, a grandiose, crumbing theater in midtown that caters to the tastes and wallets of the locals with week after week of original "revues" that inevitably feature a sweet young couple, a villain, a floozy, a drunken hobo, and a horde of showgirls and dancers kicking up a storm. "There were limits to the scope of the stories that we could tell," Vivian explains, “given that the Lily Playhouse only had three backdrops”: 19th-century street corner, elegant parlor, and ocean liner. Vivian makes a close friend in Celia Ray, a showgirl so smolderingly beautiful she nearly scorches the pages on which she appears. "I wanted Celia to teach me everything," says Vivian, "about men, about sex, about New York, about life"—and she gets her wish, and then some. The story is jammed with terrific characters, gorgeous clothing, great one-liners, convincing wartime atmosphere, and excellent descriptions of sex, one of which can only be described (in Vivian's signature italics) as transcendent. There are still many readers who know Gilbert only as a memoirist. Whatever Eat Pray Love did or did not do for you, please don't miss out on her wonderful novels any longer.
A big old banana split of a book, surely the cure for what ails you.Pub Date: June 4, 2019
ISBN: 978-1-59463-473-4
Page Count: 480
Publisher: Riverhead
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
An effervescent Regency romantic mystery brings a decrepit estate to life.
A hunt for treasure—and treasures of the heart.
Peter Rathbone, the Duke of Compton, isn’t ever expecting visitors—his estate is so impoverished that he keeps a tennis racquet at the dinner table to fend off attacks from bats. Suddenly, however, he becomes the host to two parties: the Earl of Macklin, whom he hasn’t seen in six months, and a group of young women (plus chaperone, naturally) who went to school with his late sister, Delia. Led by Miss Ada Grandison, Sarah and Charlotte and Harriet are all eager to help the duke uncover a secret that Delia told Ada about just before her accidental death. Though the house is in disrepair, they all settle in, with chaperone Aunt Julia taking the opportunity to teach them how to run a household. Ada keeps looking for chances to be alone with the duke, to discuss Delia’s secret, and their private encounters spark a mutual interest. But Peter, for his part, won’t act on his feelings, having nothing to offer her, and Ada grows frustrated. After they all discover that Delia’s secret is a potential treasure trove hidden on the estate, the girls race to solve the puzzle Delia left behind and find the fortune. Peter’s not sure anything will come of it—but the chemistry between Ada and him continues, treasure or not. In the fourth volume of her The Way to a Lord’s Heart series (How To Cross a Marquess, 2019), Ashford continues her explorations of a world outside, but not apart from, London society. With a light mystery and evocative detail, she sketches a gentler side of Regency life, away from the haut ton. Although the budding romance between Ada and Peter is sweet and compelling, it’s the friendship between Ada and her three girlfriends that really sets the book apart. All of the dialogue, but especially theirs, is fast-paced and charming, adding a welcome richness to the story. The appearance of Lord Macklin might seem odd to readers who are new to the series, but the book can be read on its own, and fans of the series are sure to enjoy the latest entry.
An effervescent Regency romantic mystery brings a decrepit estate to life.Pub Date: April 28, 2020
ISBN: 978-1-4926-6344-7
Page Count: 352
Publisher: Sourcebooks Casablanca
Review Posted Online: Jan. 25, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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