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MAFIA COP

THE TWO FAMILIES OF MICHAEL PALERMO; SAINTS ONLY LIVE IN HEAVEN

Will interest Mafia aficionados, but too scattered and heavy-handed to find a wider audience.

The account of an Italian-American police officer whose friends included both law enforcement officials and “wise guys” in 1960s-era New York City.

The NYPD was no stranger to corruption in the mid-20th century, but this book places a different spin on that infamous scenario. Growing up in Harlem, Michael Palermo befriended many neighborhood kids who went on to fill a who’s-who list of prominent Mafiosi. Choosing the straight-and-narrow path for himself, he nonetheless retained relationships with his old pals even as he rose through the police ranks to become a narcotics detective. Cagan (The Chrysalis Connection, 2005) details this delicate balancing act by showing how Palermo navigated Mafia-run establishments as well as police hangouts, ultimately welcoming both elements to a christening party for his daughter (a thinly veiled Ray Charles, whom Palermo claims to have helped kick heroin, makes an appearance here to sing a few tunes). Punchy dialogue, visceral scenes of violence and gruesome factoids about the mob’s propensity for burying victims in dumping grounds throughout the Tristate area initially keep the narrative moving. However, the book often reads more like a movie treatment than an examination of its subject, and the haphazard editing makes for some rocky patches, especially in the lengthy opening sections. The Synopsis, Preface, Introduction, Flash Forward and Introspectus (an overwrought account of the Rolling Stones’ concert at Altamont, which has little to do with the rest of the story) ramble on for 36 pages before the first chapter even begins. Court transcripts further bog down the momentum, with verbatim trial jargon replacing action and sentiment often trumping the trickier ramifications of Palermo’s decision to honor his “two families.”

Will interest Mafia aficionados, but too scattered and heavy-handed to find a wider audience.

Pub Date: Feb. 1, 2013

ISBN: 978-1-61608-857-6

Page Count: 416

Publisher: Skyhorse Publishing

Review Posted Online: Nov. 18, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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THUNDERSTRUCK

At times slow-going, but the riveting period detail and dramatic flair eventually render this tale an animated history...

A murder that transfixed the world and the invention that made possible the chase for its perpetrator combine in this fitfully thrilling real-life mystery.

Using the same formula that propelled Devil in the White City (2003), Larson pairs the story of a groundbreaking advance with a pulpy murder drama to limn the sociological particulars of its pre-WWI setting. While White City featured the Chicago World’s Fair and America’s first serial killer, this combines the fascinating case of Dr. Hawley Crippen with the much less gripping tale of Guglielmo Marconi’s invention of radio. (Larson draws out the twin narratives for a long while before showing how they intersect.) Undeniably brilliant, Marconi came to fame at a young age, during a time when scientific discoveries held mass appeal and were demonstrated before awed crowds with circus-like theatricality. Marconi’s radio sets, with their accompanying explosions of light and noise, were tailor-made for such showcases. By the early-20th century, however, the Italian was fighting with rival wireless companies to maintain his competitive edge. The event that would bring his invention back into the limelight was the first great crime story of the century. A mild-mannered doctor from Michigan who had married a tempestuously demanding actress and moved to London, Crippen became the eye of a media storm in 1910 when, after his wife’s “disappearance” (he had buried her body in the basement), he set off with a younger woman on an ocean-liner bound for America. The ship’s captain, who soon discerned the couple’s identity, updated Scotland Yard (and the world) on the ship’s progress—by wireless. The chase that ends this story makes up for some tedious early stretches regarding Marconi’s business struggles.

At times slow-going, but the riveting period detail and dramatic flair eventually render this tale an animated history lesson.

Pub Date: Oct. 24, 2006

ISBN: 1-4000-8066-5

Page Count: 464

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2006

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A RIP IN HEAVEN

A MEMOIR OF MURDER AND ITS AFTERMATH

Apt tribute to family endurance in the face of grievous loss.

A wrenching tale of a notorious murder’s long echoes for its survivors.

Cummins terms her debut “both a true crime [story] and a memoir,” intending it to celebrate the lives of her young cousins, Julie and Robin Kerry, killed during a chance encounter in the summer of 1991. Traveling with her family from Washington, D.C., to vacation with relatives in St. Louis, Cummins ruefully recalls, “I thought I was tough.” On their last night in St. Louis, her older brother Tom snuck out with Julie and Robin; the rebellious 18-year-old rookie firefighter had developed a deep emotional bond with his cousins, both lovers of poetry and social justice. The trio went to the decrepit Old Chain of Rocks Bridge, where they ran into four local young men whose friendly demeanor quickly turned savage. The men beat Tom, raped Julie and Robin, then pushed all three into the raging Mississippi River. Only Tom survived, and his family’s horror was compounded when investigators inexplicably charged him with his cousins’ deaths. Tom was held for several grueling days before a flashlight found at the scene led authorities to the real killers, who quickly implicated one another. The least culpable accepted a 30-year plea; the others received death sentences. Identifying herself by her childhood nickname “Tink,” Cummins re-creates these dark events in an omniscient third-person narrative that lends the tale grim efficiency. Although her prose is occasionally purple (“Tink’s blood turned to ice and the room started to spin out from under her feet”), she succeeds overall in acquainting the reader with the horrific toll exacted by proximity to violence. The conclusion, which examines how the cruelest of the murderers became a cause célèbre thanks to his youth, offers astringent commentary on our society’s fascination with killers, who in media coverage often overshadow their victims. Cummins’s memoir does a good job of retrieving the lives of Julie and Robin from that obscurity.

Apt tribute to family endurance in the face of grievous loss.

Pub Date: June 1, 2004

ISBN: 0-451-21053-0

Page Count: 320

Publisher: NAL/Berkley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2004

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