by Richard Stanley Post ‧ RELEASE DATE: Sept. 30, 2013
An earnest, occasionally shocking postcard from a vanished Chicago.
A memoir of growing up in a working-class Chicago neighborhood in the 1950s—an era the author remembers as “a good time to be a kid.”
This book represents a departure for Post (Global Brand Integrity Management, 2007, etc.), who has written 16 business textbooks. After his father’s store in Florida failed, Post moved with his family to Chicago to live with his maternal grandmother. In the streets and homes west of Goose Island, a dot in the Chicago River covered with gas storage tanks and polluting factories, the Polish language was as ubiquitous as English, and sharp-elbowed babushkas battled to secure the kielbasa, rye bread and hot cross buns on their holiday shopping lists. Post’s straightforward prose never enchants, but it ably gets the job done, with each stand-alone chapter reminiscent of a grandfather’s perfectly told anecdote. In one, Post spends his Saturdays watching triple features in movie houses, where children play tag during the boring parts; in another, he steals from his sister’s coin collection to play carnival games to win free Vienna hot dogs—a scheme that ends when his father discovers the theft and beats him with a strap. Norman Rockwell-esque nostalgia is tempered by everyday brutality: A street baseball game ends when a buddy’s arm is torn off in a hit-and-run accident, and Post watches as an injured puppy is “put down” by having its head smashed. A cast of recurring characters emerges: Uncle Stanley, a drunken vet broken by his service in World War II; Post’s father, an independent family man with little patience for religion; and Davie, a bully sent to reform school for setting a cat’s tail on fire. Readers familiar with contemporary Chicago will also be treated to an extra, uncanny charm: a geography where place names remain the same but their characters have changed, as when Post’s sister describes North Beach as a modest spot for “people from the neighborhood”; today, it’s where the young and toned go to admire one another.
An earnest, occasionally shocking postcard from a vanished Chicago.Pub Date: Sept. 30, 2013
ISBN: 978-0989560801
Page Count: 182
Publisher: Post & Post LLC
Review Posted Online: Dec. 9, 2013
Review Program: Kirkus Indie
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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