Sets an American literary classic on a wonderfully wrong turn.
In this riff on the celebrated poem, a youngster rides a blue hippo with a jingle bell harness through a wintery setting.
The brown-skinned child speaks the opening lines: “Whose woods these are I think I know.” The child then deviates a bit: “My little hippopotamus must think it—” Suddenly, the youngster encounters Robert Frost, peering out of a window superimposed over the trees (no house is depicted). The poet is clearly upset by the word change and the strange sight: “Hippos live in the jungle.” The child, the hippo, and Frost suddenly find themselves in a colorful jungle scene, along with tropical birds and animals peeking from the foliage. The young protagonist continues to rewrite the poem to fit the new environment. When Frost points out that there is no snow in the jungle, the child tries substitutes: Rain? Dough? Deciding that the verse needs more excitement, the child invents disasters such as meteors, a tidal wave, and an alien invasion. Somehow, Frost manages to get through the poem and even starts writing another well-known work. The disconnect between the staid poet and the imaginative child makes for a highly amusing example of metafiction, while the digital art blends elegantly composed wintry backdrops with cartoonish images of the characters and various animals, with gleefully chaotic results.
Sets an American literary classic on a wonderfully wrong turn. (Picture book. 6-9)Pub Date: Nov. 26, 2024
ISBN: 9781481478021
Page Count: 40
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
BOOK REVIEW
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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